Nelson Pereira dos Santos in conversation with Darlene J. Sadlier
(Nelson Pereira dos Santos, 1963)
As the father of Brazil’s socially progressive and aesthetically daring Cinema Novo movement, Nelson Pereira dos Santos attempted to define a Brazilian national cinema through his politically engaged (and populist) body of work. This small retrospective welcomes the artist himself for two events and brings you five of his most important films.
Brazil’s contributions to the fields of music and dance are known throughout the world. But other than the occasional breakout hit, such as Black Orpheus, Central Station, or City of God, Brazilian cinema rarely receives the level of attention in North America that it deserves. This series offers you an extraordinary opportunity to tour the unique and diverse cinematic and cultural landscape that contributes to the increasing prominence of Brazil on the global (and local) scene.
Via Brasil presentations began unfolding across all the Wex's program areas in 2012, and will culminate in through 2014 with a major exhibition and documentary film series, a translation of film criticism, and complementary performing arts events. With Via Brasil, the Wexner Center strives to introduce our community to the unique and diverse cultural landscape that contributes to the increasing prominence of Brazil on the global arts scene.
Rising stars and acclaimed masters come to screen their films and talk with Wexner Center audiences.
After a screening of Barren Lives, one of his most acclaimed films, Dos Santos discusses the film and his career with Darlene J. Sadlier, author of Contemporary Film Directors: Nelson Pereira dos Santos.
This masterpiece of world cinema demonstrates why dos Santos is renowned for adapting literature to screen. Based on a novel by Graciliano Ramos, Barren Lives is searing vision of a family’s struggle for survival in the extreme conditions of the Brazilian desert. Notable for its shifting point of view (including, famously, that of the family’s loyal dog) and groundbreaking use of light, this film is considered to be, in many ways, the Brazilian Grapes of Wrath. (103 mins., 35mm)
$8 general public
VIA BRASIL MADE POSSIBLE BY
The Andrew W. Mellon Foundation
Rohauer Collection Foundation
GENEROUS SUPPORT FOR VISITING FILMMAKER PRESENTATIONS
Academy of Motion Picture Arts and Sciences
American Airlines/American Eagle
GENERAL SUPPORT FOR
THE WEXNER CENTER
Greater Columbus Arts Council
Ohio Arts Council