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Through a Lens Darkly: Black Photographers and the Emergence of a People

Film/Video

Through a Lens Darkly: Black Photographers and the Emergence of a People

Through a Lens Darkly: Black Photographers and the Emergence of a People

Image courtesy of First Run Features

Through a Lens Darkly: Black Photographers and the Emergence of a People

Through a Lens Darkly: Black Photographers and the Emergence of a People

Image courtesy of First Run Features

Through a Lens Darkly: Black Photographers and the Emergence of a People

Through a Lens Darkly: Black Photographers and the Emergence of a People

Image courtesy of First Run Features

Through A Lens Darkly 2008 Trailer
Through a Lens Darkly: Black Photographers and the Emergence of a People

(Thomas Allen Harris, 2014)

New Documentary

Nonfiction filmmaking holds a strong appeal for many committed directors and producers. This ongoing series lets you sample wide-ranging approaches to the contemporary documentary.

Fri, Oct 24, 2014 7 PM

Beginning with his own family album, director Thomas Allen Harris takes a historical look at the way black photographers and their subjects have used the medium for social change. By also examining the work of fellow photographers Carrie Mae Weems, Lorna Simpson, Glenn Ligon, and Deborah Willis (who is also a co-producer and whose book Reflections in Black was an inspiration for the film), Harris confronts popular culture’s notion of “blackness” and “black people.” (92 mins., video) The work of Weems, Simpson, and Ligon was featured in the acclaimed exhibition Blues for Smoke, which made a stop at the Wexner Center last fall.

Man with a Movie Camera

Be here Monday, September 14 as Alloy Orchestra takes the stage in our Film/Video Theater to accompany a restoration of Dziga Vertov’s Man with a Movie Camera.

Clark

Join us Thursday, September 10 for a Next@Wex double bill featuring Tyondai Braxton and Clark, two innovators in the experimental electronica scene.