Bassekou Kouyate and Ngoni ba

Performing Arts

Images courtesy of Thomas Dorn

Bassekou Kouyate and Ngoni ba

Fri, Nov 18, 2011 8 PM

“Ancient and utterly contemporary...like some African answer to Hendrix.”—Guardian (UK)

Malian maestro Bassekou Kouyate and his band Ngoni ba mesmerize audiences with the driving sound of their four ngonis—a small, lute-like stringed instrument that’s the forerunner of the banjo. Their music springs from deep roots in griot traditions but also taps into modern themes and shares the bluesy overtones of Ali Farka Toure, Toumani Diabate, and other famed musicians from Mali. Kouyate and his crew’s pulsing Afro-pop sound also has traces of jazz, bluegrass, and wah-wah-pedal-powered rock that propels its unique melding of the ancient and the future. According to LA Weekly: "The way the notes come flying out of the variously toned ngonis, in thick flurries of intricate patterns, is frequently dazzling.… They flow seamlessly within the songs, insinuating themselves within the dreamy melodies.”

Now signed in this country by stalwart indie label Sub Pop, Kouyate and Ngoni ba are experiencing an upsurge of intense interest from a new crop of fans intrigued by the rippling rhythms of African music that have inspired such bands as Vampire Weekend and Dirty Projectors or captivated by the younger generation of Africa innovators that includes Tinariwen, Konono No.1, and Staff Benda Bilili.

Don’t miss Kouyate and Ngoni ba’s Columbus debut in our intimate Performance Space, the perfect venue to catch every note of their exultant sound. As a New York Times reviewer noted, “this was no traditional African concert. Through technique, technology, and open ears, Kouyate hurls the ngoni into the 21st century…. Kouyate’s music doesn’t sound as if it were diluted in search of some international crossover. It’s activating kinships and lineages that were there all along, waiting to be plugged in.”


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