Past

Deja Donne In Bella Copia

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"This dance piece is a battle complete with vice, egoism, and aggression."--Dance Zone

Fast paced with jagged edges, Czech ensemble Deja Donne's dance theater production In Bella Copia offers a sharply etched portrait of obsession and fantasies gone awry. Codirectors Lenka Flory from the Czech Republic and Simone Sandroni from Italy first met as dancers with Ultima Vez, Belgian renegade Wim Vandekeybus's troupe who performed at the Wexner Center in 1991. Inspired by his boundary blurring, vividly imagistic work, they formed their own multinational group.

Deja Donne's approach reflects the harsher sociopolitical realities of Eastern Europe with a gritty mix of violence and desire. In In Bella Copia, the performers swing wildly between pleasure and aggression, depicting characters stripped of their facades and grappling with agitated and extreme impulses. As the New York Times reported, "it packs a visceral and psychological wallop."

Recommended for mature audiences.

Event Support

Presented by the Wexner Center with support from Huntington Bank.

This presentation of Deja Donne is part of Central Station, a project of Danspace Project and Dance Theater Workshop in New York City focusing on East/Central European artists, made possible with major support from the Trust for Mutual Understanding.

Season Support

Major support for the Wexner Center's 2003-04 performing arts season provided by the Doris Duke Charitable Foundation.

Support for the dance season provided by Huntington Bank.
Additional season support provided by the Ohio Arts Council and the Corporate Annual Fund of the Wexner Center Foundation.
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Past

Deja Donne In Bella Copia