Film Works by South African Artist William Kentridge Featured in Galler Exhibition at Wexner Center

Film Works by South African Artist William Kentridge Featured in Gallery Exhibition at Wexner Center

Mon, Mar 13, 2006

“People tend never to forget where and when they first encountered the art of  South African William Kentridge, such is its power.”—San Francisco Chronicle

The gallery exhibition William Kentridge: 7 Fragments for Georges Méliès, on view at the Wexner Center April 7–August 13, 2006, features the witty and  whimsical film works of internationally acclaimed  South African artist William Kentridge. These lyrical  short works, a tribute to the pioneering French film auteur and special-effects trailblazer Georges Méliès,  marry traditional art forms (painting and sketching)  with newer forms (video). Two additional short films,  Day for Night and Journey to the Moon, will also be  included in the exhibition.

Notes Bill Horrigan, the Wexner Center’s Director of  Media Arts, “This exhibition affords a rare opportunity to see the film works of

William Kentridge in a gallery setting, and in particular is suitable for the  multidisciplinary Wexner Center. These works are remarkable examples of his  fascination with not only early cinema, but his ability to merge such varied forms  as painting, sketching, film, and collage into a singular artistic vision.”  The black-and-white films, all made in 2003, will be shown simultaneously in the  Wexner Center’s Gallery D, running on a continuous loop. Kentridge himself  appears in most of the films, and wittily incorporates ordinary objects from  everyday life: coffee cups, ladders, ants, and more—items that often wind up in  improbable situations. In the charming 7 Fragments for Georges Méliès , a suite  of seven silent short projections combining live-action and animation, he can be  seen interacting with his paintings and sketches by drawing and erasing them,  creating amusing and surprising effects using stop-motion, multiple exposures, and  other early filmic techniques. In Day for Night, also silent, an off-screen Kentridge  directs ants across a canvas by using trails of sugar and honey. Kentridge utilizes  the titular light filtering technique in which day appears to be night, so that the  ants appear to be white while the canvas appears to be black; the result is imagery  resembling an ever-changing starfield. Journey to the Moon—a riff on the 1902  Méliès masterpiece Voyage to the Moon—is a more narrative work that finds  Kentridge further exploring the techniques of early cinema as well as making reference to themes and images from 7 Fragments. It includes an original score.

RELATED EVENTS

• An opening celebration for William Kentridge and the other spring  exhibitions will be held Thursday, April 6 from 5 to 8 pm. Wexner

Center Director Sherri Geldin will give opening remarks at 5:30 pm at  the entrance to the galleries. The event is free and open to the public.

• Arthur Danto—philosopher, author, and art critic for The Nation—will  discuss Kentridge’s work at the annual Lambert Family Lecture

Tuesday, April 25 at 7 pm in the Film/Video Theater. Admission is free.

• A collection of Kentridge’s evocative short animated films, William  Kentridge: 7 Films (1994–2003), will be screened in the Film/Video

Theater on Wednesday, May 3 at 7 pm. Some of the films feature  Kentridge’s fictional Johannesburg characters Soho Eckstein and his

romantic rival, Felix Teitelbaum, through whom Kentridge provides a  poetic commentary on post-apartheid South Africa.

WILLIAM KENTRIDGE

Born in Johannesburg in 1955 (where he continues to live), William Kentridge is  South Africa’s premier visual artist. Known for his short films, video installations,  collages, prints, and charcoal drawings, his work is derived from a variety of sources

including film, theater, painting, and more. Infused by the turbulent past of South  Africa, his films and paintings carry with them a profound sense of memory and  history reflected in both their form and content. His work has been on view at  Documenta X in Kassel, Germany; the Museum of Modern Art in New York; and in  the Venice Biennale. In 1999 Kentridge received the Carnegie Medal at the Carnegie

International, and since January 2004 a major retrospective survey of his work has  been on tour, stopping in Sydney, Australia; Johannesburg; and at Miami Art  Central, the tour’s final venue. Recent exhibitions have included 7 Fragments for  Georges Méliès at the Museum of Contemporary Art in Los Angeles; a newly  commissioned piece for the Deutsche Guggenheim in Berlin, Black Box/Chambre  Noire; and drawings and projections from the scenic design and animation for a  production of Mozart’s The Magic Flute (which premiered in Brussels last year), at  the Marian Goodman Gallery in New York.

 

EXHIBITION SUPPORT

William Kentridge was organized by the Wexner Center for the Arts.

The exhibition is presented with support from the Corporate Annual Fund of the Wexner Center Foundation and Wexner Center members.

Preferred accommodations are provided by The Blackwell Inn.

The preferred airline for this exhibition is American Airlines/American Eagle.

VISITOR INFORMATION

THE EXHIBITION: William Kentridge: 7 Fragments for Georges Méliès is a showcase of whimsical and witty short black-and-white films in a gallery setting by acclaimed South African artist and animator William Kentridge.

DATES: April 7–August 13, 2006 (opening party April 6, 5–8 pm).  Also on view: Extreme Textiles and Diptych: Jockum Nordström and Mindy Shapero. 

LOCATION: Wexner Center for the Arts (Gallery D), 1871 North High Street at 15th Avenue at The Ohio State University.

GALLERY HOURS: Tuesday–Wednesday and Sunday 11 am–6 pm; Thursday– Saturday 11 am–8 pm. The galleries are closed on Monday.

ADMISSION: Free.

PARKING: Available in the Ohio Union Parking Garage, just south of the Wexner Center on High Street.

WALK-IN TOURS: Sundays at 1 pm and Thursdays at 6 pm

GROUP TOURS: Available by calling 614 292-6493.

PUBLIC INFORMATION: wexarts.org or 614 292-3535.