Eliza Ho Challenging Nationality and Femininity: Yayoi Kusama's Art in the 1960s

Public Programs

Yayoi Kusama
Blue Spots, 1965

Eliza Ho
Challenging Nationality and Femininity: Yayoi Kusama's Art in the 1960s

Gallery Talks

In these hour-long gallery conversations, you'll discuss the current exhibitions with artists, curators, and members of the Ohio State community.

Fri, Feb 3, 2006 1 PM

Eliza Ho, a Wexner Center graduate associate, discusses how Yayoi Kusama's works defy conventional categorizations of Asian and American art and question viewers' assumptions about femininity.

image credit

Yayoi Kusama
Blue Spots, 1965
Sewn stuffed fabric on wood
Becht Collection, Naarden, The Netherlands

Jean Dubuffet, Vaches au pre (Cows in a meadow), 1954

Reserve your tickets now for Transfigurations: Modern Masters from the Wexner Family Collection, on view through Dec 31. Learn more about the exhibition.

Artists featured in Transfigurations: Modern Masters from the Wexner Family Collection

Learn more about the artists represented in Transfigurations at our dedicated website. (Educators will also find curriculum resources to support their K–12 classrooms.)