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Eliza Ho Challenging Nationality and Femininity: Yayoi Kusama's Art in the 1960s

Public Programs

Yayoi Kusama
Blue Spots, 1965

Eliza Ho
Challenging Nationality and Femininity: Yayoi Kusama's Art in the 1960s

Gallery Talks

In these hour-long gallery conversations, you'll discuss the current exhibitions with artists, curators, and members of the Ohio State community.

Fri, Feb 3, 2006 1 PM

Eliza Ho, a Wexner Center graduate associate, discusses how Yayoi Kusama's works defy conventional categorizations of Asian and American art and question viewers' assumptions about femininity.

image credit

Yayoi Kusama
Blue Spots, 1965
Sewn stuffed fabric on wood
Becht Collection, Naarden, The Netherlands

Man with a Movie Camera

Be here Monday, September 14 as Alloy Orchestra takes the stage in our Film/Video Theater to accompany a restoration of Dziga Vertov’s Man with a Movie Camera.

Clark

Join us Thursday, September 10 for a Next@Wex double bill featuring Tyondai Braxton and Clark, two innovators in the experimental electronica scene.