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Diary of a Shinjuku Thief

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Series curator James Quandt considers these two films among Oshima's most haunting and memorable works.

Boy recounts the true story of a married couple who trained their 10-year-old son to take being hit by autos so they can profit from the traumatized drivers. Oshima referred to the film as "a prayer," with its unequalled evocation of the world from a child's perspective. (105 mins., 35mm)

To James Quandt, Diary of a Shinjuku Thief "in hindsight takes pride of place alongside Godard's films of the same period, which says a great deal." Its copious sex and nudity were shocking even for late 1960s' audiences, yet it's also "tender, funny, moving...unspeakably wonderful." (84 mins., 35mm)

Diary of a Shinjuku Thief will begin around 8:55 PM.

Boy trailer:

The following individuals and organizations made the retrospective possible: Nagisa Oshima, Tokyo; Marie Suzuki, The Japan Foundation, Tokyo; Masayo Okada, Yuka Sukano, Atsuko Fukuda, Kawakita Memorial Film Institute, Tokyo; Eiko Oshima, Oshima Productions, Tokyo; Peter Becker, Kim Hendrickson, Fumiko Takagi, Sarah Finklea, Janus Films, New York; Jonathan Howell, New Yorker Films.

SIGNIFICANT CONTRIBUTIONS FOR FILM/VIDEO PROGRAMS
Rohauer Collection Foundation

PREFERRED AIRLINE
American Airlines/American Eagle

GENERAL SUPPORT FOR THE WEXNER CENTER
Greater Columbus Arts Council
Columbus Foundation
Nationwide Foundation
Ohio Arts Council
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Boy