Brent Green + Band Gravity Was Everywhere Back Then

Film/Video

Images courtesy of Nervous Films

Brent Green + Band
Gravity Was Everywhere Back Then

Next@Wex

This popular series introduces young indie scene music innovators in our intimate black box venues and welcomes breakout bands to larger theaters.

Visiting Filmmakers

Rising stars and acclaimed masters come to screen their films and talk with Wexner Center audiences.

Fri, Sep 30, 2011 8 PM

"A tinkerer's ode to a tinkerer, and a romantic's tribute to a romantic...radiates an oddball homemade charm."—New York Times

In this special event from the Wex's performing arts and film programs, indie filmmaker Brent Green presents a DIY film and live music project that has transfixed critics and festival audiences around the world. Green’s lo-fi stop-motion animations were first seen at the Wex as a counterpoint to Califone’s music in 2006, and the filmmaker introduced an earlier version of this project here last year. This time Green has assembled a full seven-piece band—featuring a horn section, theremin, cello, harmonium, drums—and live foley sound effects (like in an old-time radio show) to accompany his whimsical, dream-like cinematic tale.

Gravity Was Everywhere Back Then offers a chronicle of enduring love, faith, the need for miracles, and the power of electricity, while recounting the true story of Leonard Wood, a hardware store clerk in Kentucky who built a crazy-quilt house in the 1970s as a healing machine to save his wife from cancer. Green himself built a full-size model of Wood’s house and town in his own backyard, and he shot the film there, combining traditional and stop-motion animation techniques. The result is an ethereal homage to lovers and dreamers everywhere. “If Mark Twain were with us today, he would probably be engaged in endeavors comparable to Green’s films,” says Art in America. (71 mins., video).

The live band this evening features Todd Chandler of Dark, Dark, Dark; Brendan Canty of Fugazi; Michael McGinley and Alan Scalpone of the Bitter Tears; and Drew Henkels of Drew and the Medicinal Pen.

Alberto Giacometti, Le chien (Dog), 1951 (cast 1959); Bronze; 17 ½ x 40 x 6 ¼ in.; Edition 8 of 8; Wexner Family Collection; Art © 2014 Alberto Giacometti Estate/Licensed by VAGA and ARS, New York, NY

Wexner Center members can now reserve their free tickets for Transfigurations: Modern Masters from the Wexner Family Collection. Tickets go on sale to the public on Mon, Aug 25.

2001: A Space Odyssey

Don't miss 2001: A Space Odyssey—screening in glorious 70mm as part of A Summer Abroad ‘14—on Thu–Fri, Aug 28–29.

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