Nothing But a Man

Film/Video

Nothing But a Man

New 35mm print
(Michael Roemer, 1964)

 

Film History 101

As our film heritage becomes more and more digitized, it is harder and harder for audiences to see important films in the manner in which they were originally meant to be presented: in a theater, on film, with an audience. Film History 101 is our modest attempt to keep this tradition alive. Once a month, we'll present a selection that transcends "classic" status to that of "essential"—films that are widely recognized as among the greatest the art of moving pictures has to offer.

Tue, Apr 23, 2013 7 PM

A true landmark of American cinema and African-American screen representation, Nothing But a Man portrays the poignant relationship between a preacher’s daughter (jazz singer Abbey Lincoln) and a railroad man and single dad (Ivan Dixon). After the two marry, they confront a host of problems including racism, school integration, unemployment, and family conflict. Against this detailed social backdrop (which is a powerful document of Jim Crow-era restrictions), the film portrays Duff and Josie as fully-fleshed out individuals, complex and contradictory, in a way rare for movies about black characters at the time. (95 mins., 35mm)

An Artists Public Domain/Cinema Conservancy Release of a Cinedigm/New Video Film. Restored by LIbrary of Congress Packard Campus for Audio Visual Conservation.

Viewing Transfigurations: Modern Masters from the Wexner Family Collection

The Wex is closed Thu, Dec 25, and Thu, Jan 1, but our galleries will be open Fri, Dec 26, through Tue, Dec 30, 10 AM–8 PM. Learn more about our holiday hours here.

Jean Dubuffet, Vaches au pre (Cows in a meadow), 1954

Transfigurations: Modern Masters from the Wexner Family Collection closes Dec 31. Don't miss the exhibition artnet named among the world's 25 "must-see shows."

Hours

8 AM - 4 PM
Closed
10 AM - 6 PM