Pasolini and the Queer Avant Garde
Best known in the US as one of the great Italian postwar filmmakers, Pier Paolo Pasolini was also an influential, outspoken, and openly gay poet, novelist, critic, journalist, playwright, and painter. He held seemingly conflicting philosophies as both a Marxist and a Catholic, and was a staunch leftist who once spoke out against left-wing student protests in favor of the working-class police. His filmography represents perhaps the most subversive body of work ever put to film, still provoking outrage and charges of blasphemy in some quarters. However controversial, the themes he explores achieve a measure of timelessness and universality as many of his films are set in the distant past. Most importantly, his films often portray the lives of those existing on the fringes of society, in roles often played by nonprofessional actors. The Wex is thrilled to present this nearly complete retrospective with many titles screening in newly restored 35mm prints.
While Pasolini has not always attracted a strong queer following, filmmakers such as Derek Jarman and Isaac Julien have expressed a deep attachment to his work. At this talk, Italian literature and film scholar Derek Duncan explores this connection and how it reinserts Pasolini into a Queer avant-garde tradition of filmmaking. Duncan is a professor in the School of Modern Languages at the University of St. Andrews, UK.
Cosponsored by Ohio State’s Department of French and Italian.
Free for all audiences
SIGNIFICANT CONTRIBUTIONS FOR FILM/VIDEO
Rohauer Collection Foundation
SUPPORT FOR RETROSPECTIVE: PIER PAOLO PASOLINI
GENERAL OPERATING SUPPORT FOR THE WEXNER CENTER
Greater Columbus Arts Council
Ohio Arts Council