The Petrified Garden

Film/Video

The Petrified Garden

Amos Gitai, 1993

Cinematheque: Amos Gitai

<i>Film Comment</i>calls Amos Gitai"Israel's most internationally recognized filmmaker--and its most controversial,"and this nine-film retrospective includes some of his provocative works. Gitai uses both documentary and fictional styles to tell stories of Israeli life and the Jewish Diaspora, frequently daring to speak some unpopular truths. The Wexner Center has shown such recent Gitai films as<i>Kadosh</i>and<i>Kippur,</i>but this series provides an illuminating cross-sampling of his entire career, now entering its third decade.

Thu, Jan 24, 2002 7 PM

In The Petrified Garden, one of his least-seen pictures, Gitai again returns to the legend of the Golem and the theme of exile, this time in post-Soviet Russia.
Set in Russia after the fall of the Soviet Union, The Petrified Garden follows an art dealer who travels to Leningrad/St. Petersburg and Birobidzhan (Stalin's Siberian "homeland" for the Jews). There he hopes to reunite a huge sculpted hand that he's inherited with the rest of a mythical statue. With Hanna Schygulla and a score by Simon and Markus Stockhausen. (87 mins.)

Jean Dubuffet, Vaches au pre (Cows in a meadow), 1954

Reserve your tickets now for Transfigurations: Modern Masters from the Wexner Family Collection, on view through Dec 31. Learn more about the exhibition.

Artists featured in Transfigurations: Modern Masters from the Wexner Family Collection

Learn more about the artists represented in Transfigurations at our dedicated website. (Educators will also find curriculum resources to support their K–12 classrooms.)