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Experience visual and performing art by Sugpiaq artist, writer, and Wexner Center Artist Residency Award recipient Tanya Lukin Linklater in her first US survey exhibition.
Her largest presentation to date, the exhibition explores Lukin Linklater’s multidisciplinary practice over the past decade and features a Wex-commissioned project informed by her visit to Hopewell Ceremonial Earthworks in Newark, Ohio, the nation’s newest United Nations Educational, Scientific and Cultural Organization (UNESCO) World Heritage Site. You’ll encounter other new works that cite Indigenous art lineages, embrace ancestral belongings, and consider how weather organizes communities as well as our environment.
Lukin Linklater’s perception of time and place comes across in her sculpture, installation, rehearsals, video, works on paper, and writing. She explains that her practice is inspired by her upbringing in the Kodiak archipelago of Alaska. “I look to my Alutiiq/Sugpiaq knowledges in relation to our homelands, waterways, atmospheres and our minds.”
The exhibition’s title is informed by an interview with the late Sugpiaq cultural worker Eunice von Scheele Neseth and a poem by Oglala Lakota poet Layli Long Solider. Describing grass in different states—soft, cured, and bruised by the weather—references the procedures that women of Kodiak Island follow when harvesting and processing plant material used to weave baskets. The imagery evoked by the words also asks viewers to consider observation and touch in the acts of restoration and repair.
During the exhibition’s opening and closing moments, visitors can experience a multiday series of improvisational open rehearsals with dance artists in relation to Structure of Sustenance Three in the galleries. In August, Inner blades of grass will also culminate with a gathering of Indigenous artists, musicians, poets, and performers.
IMAGE CAPTIONTanya Lukin Linklater, Hair Prints open rehearsal with Ivanie Aubin-Malo at Open Space, Victoria, Canada, 2023. Courtesy of Catriona Jeffries. Photo: Miles Giesbrecht.
Open rehearsals will take place 2–5 PM in the galleries with dance artists in relation to Structure of Sustenance Three on the following days:
Artists:
Learn more about the artists.
Tanya Lukin Linklater with Tiffany Shaw, Indigenous geometries, 2019; cold-rolled steel, laminate ash, paint, matte polyurethane, and hardware; installation view at Southern Alberta Art Gallery, Lethbridge, Canada, 2023; courtesy of Catriona Jeffries, Vancouver; photo: Blaine Campbell.
Tanya Lukin Linklater, Held in the air I never fell (spring lightning sweetgrass song), 2022; kohkom scarves, thread, hide, ash, copper, artificial sinew; courtesy of Catriona Jeffries, Vancouver; photo: Rachel Topham Photography.
Tanya Lukin Linklater has recently participated in the Aichi Triennale, Japan; Gwangju Biennale, South Korea; New Museum Triennial, New York; and Toronto Biennial of Art. Her work has also been shown at the Art Gallery of Alberta, Edmonton; Contemporary Art Gallery, Vancouver; National Gallery of Canada, Ottawa; and the San Francisco Museum of Modern Art; among other institutions. Her first collection of poetry was Slow Scrape (published by The Centre for Expanded Poetics and Anteism Books in 2020 and by Talonbooks in 2022). A catalogue, Tanya Lukin Linklater: My mind is with the weather—copublished by the Contemporary Art Gallery, Vancouver; Oakville Galleries; and the Southern Alberta Art Gallery Maansiksikaitsitapiitsinikssin—was released in spring 2024. Lukin Linklater’s Alutiiq/Sugpiaq homelands are in southwestern Alaska where much of her family continues to live. She is a tribally enrolled member of the Native Villages of Afognak and Port Lions in the Kodiak archipelago.
Learn more about the artist.
Tanya Lukin Linklater: Inner blades of grass (soft) inner blades of grass (cured) inner blades of grass (bruised by the weather) is organized by Kelly Kivland, former head of exhibitions at the Wexner Center for the Arts and director and lead curator at Michigan Central, with support from Curatorial Assistant Jonathan Gonzalez.
THIS PRESENTATION IS MADE POSSIBLE BYTeiger FoundationCanada Council for the Arts
EXHIBITIONS 2023–24 SEASON MADE POSSIBLE BY Bill and Sheila Lambert Carol and David Aronowitz Crane Family Foundation
FREE GALLERIES MADE POSSIBLE BY American Electric Power Foundation Mary and C. Robert Kidder Bill and Sheila Lambert
ADDITIONAL SUPPORT FOR FREE GALLERIES PROVIDED BY Adam Flatto CoverMyMeds PNC Foundation
WEXNER CENTER PROGRAMS MADE POSSIBLE BY Ohio Department of Development Greater Columbus Arts Council The Wexner Family Institute of Museum and Library Services Ohio Arts Council, with support from the National Endowment for the Arts CampusParc Ohio State’s Global Arts + Humanities Discovery Theme The Columbus Foundation Nationwide Foundation Vorys, Sater, Seymour, and Pease
ADDITIONAL SUPPORT PROVIDED BY Mike and Paige Crane Axium Packaging Nancy Kramer Ohio State Energy Partners Ohio History Fund/Ohio History Connection Larry and Donna James David Crane and Elizabeth Dang Bruce and Joy Soll Rebecca Perry Damsen and Ben Towle Jones Day Alex and Renée Shumate
Tanya Lukin Linklater: Inner blades of grass (soft) inner blades of grass (cured) inner blades of grass (bruised by the weather)