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Past Film/Video | Documentaries | The Box
Stream | World Premiere
STREAMS ONLINE Free for all audiences
Content warning: this film features graphic images of war, atrocity, and police violence and brutality.
We strive to host inclusive, accessible events that enable all individuals, including individuals with disabilities, to engage fully. If you require an accommodation to participate in this event, please contact Accessibility Manager Helyn Marshall at accessibility@wexarts.org or via telephone at (614) 688-3890. Requests made two weeks in advance of the event will generally allow us to provide seamless access, but the Wexner Center for the Arts will make every effort to meet requests made after this date.
This month The Box premieres Before It Kills Us All, the latest work by Academy Award–winning producer, filmmaker, and activist Margaret Lazarus. The experimental video uses mostly found footage to trace a worldwide history of violence alongside a parallel narrative of women’s resistance and resilience.
Lazarus has dedicated her career to combining documentary filmmaking and political activism, making films that explore a wide range of social justice and women's issues. Her short film Defending Our Lives, a documentary made with her partner Renner Wunderlich, about women incarcerated for killing their abusers, won an Academy Award in 1994.
Divided into three sections, Before It Kills Us All begins with a gruesome chronicle of violence—from the horrors of war to police violence against Black and Brown bodies to the willful destruction of our planet and its wildlife—all wrought by the hands of men. The middle section offers a counterpoint in the form of historical footage of women’s resistance including protesting suffragettes, women in Liberia who demonstrated to end the country’s civil wars, a Women’s March on Washington, and even a section from the subversive 1968 film The Girls by Mai Zetterling. In the third and final section, Lazarus offers the possibility of hope as traditional, male-dominated power structures are replaced by communities that nurture and value empathy. Throughout the work, which is intended to be a multichannel installation, Lazarus weaves images of dance, including footage of pioneering dancer and choreographer Anna Halprin, as a metaphor for healing and an expression of the human potential to change. (video, 16:41 mins.)
Watch a recent conversation between Lazarus and Ohio State Associate Professor and Roy Lichtenstein Chair of Studio Art Carmen Winant filmed on the occasion of this screening.
Before It Kills Us All, image courtesy of the artist
In addition to being a documentary film director and producer, Lazarus is the executive director of Cambridge Documentary Films. Her films also include Taking Our Bodies Back: The Women’s Health Movement (1974), the first film to explore this subject; Rape Culture (1975); Killing Us Softly (1979); Pink Triangles: A Film About Homophobia (1982); The Last Empire: Intervention and Nuclear War (1986); Strong at the Broken Places: Turning Trauma into Recovery (1998); The Strength to Resist: Media’s Impact on Women & Girls (2001); Rape is (2003), and BirthMarkings (2010), about women’s postbirth bodies, among many others. Lazarus has coauthored the “Violence Against Women” chapter in many editions of Our Bodies, Ourselves and is an educator and peer counselor in the struggle against violence against women, children, and oppressed groups.
MADE POSSIBLE BY Greater Columbus Arts Council American Electric Power Foundation L Brands Foundation The Columbus Foundation Ohio Arts Council Institute of Museum and Library Services Huntington Bank Nationwide Foundation
ADDITIONAL SUPPORT PROVIDED BY Jeni’s Splendid Ice Creams Kaufman Development Cardinal Health Foundation
Past Film/Video
Margaret Lazarus