
Join AD—WO, a globally renowned New York art and architecture practice, for a conversation about their work and the forces shaping our streetscapes and public spaces.
Jen Wood and Emanuel Admassu, who founded AD—WO in 2015, question architectural and urban-design norms through art, design, and curatorial interventions—and their works invite us to do the same. AD—WO challenges borders and classifications, including the ways that spaces are valued and owned, using frameworks in Black studies, decolonization, and conceptual art.
From buildings to objects to exhibition designs, the New York–based practice has completed projects in Ethiopia, Tanzania, Germany, Italy, and the US. Their work has been exhibited at the Venice Biennale’s 18th International Architecture Exhibition (2023); Art Omi in Ghent, New York (2023); and The Museum of Modern Art in New York City (2021); and is in the permanent collections of the Art Institute of Chicago and Atlanta’s High Museum of Art. Among many other accolades, AD—WO received a United States Artists Fellowship in 2024.
An audience Q&A featuring artist, designer, and educator Sasha de Koninick and assistant professor in the Knowlton School Mohamad Nahleh follows the presentation. This program is a collaboration with Ohio State’s Department of Design and the Knowlton School.
IMAGE CAPTION
AD—WO founders Jen Wood and Emanuel Admassu.
Read more
- Artists’ website: AD—WO
About the artists
Jen Wood
Jen Wood (Naarm/Melbourne, Australia) is founding principal of AD—WO and a licensed architect in New York. She has extensive experience working for leading architecture practices in Australia and the US. Wood received a BA and MA from the Royal Melbourne Institute of Technology and a master’s degree in advanced architectural design from Columbia University.
Emanuel Admassu
Emanuel Admassu (Addis Ababa, Ethiopia) is founding principal of AD—WO and assistant professor at Columbia University’s Graduate School of Architecture, Planning and Preservation. His work addresses spatial justice and African urbanism. Admassu completed his BA in architecture at Kennesaw State University, followed by a master’s degree in advanced architectural design and advanced architectural research at Columbia University.
Sasha de Koninck
Sasha de Koninck is a visual artist, designer, and educator. While studying textiles in undergraduate school, she was introduced to the field of electronic textiles and wearable technology and continued her research during graduate school. She recently completed her PhD in intermedia art, writing, and performance at the University of Colorado Boulder, where she worked with Laura Devendorf and the Unstable Design Lab. Currently, she is a postdoctoral research fellow at Northeastern University in Boston, where she works with Laura Forlano in the Critical Futures Lab.
Mohamad Nahleh
Mohamad Nahleh is an assistant professor of architecture at Ohio State. His research and practice engage the fields of environmental history, cultural anthropology, and postcolonial literature in expanding the role and imagination of the night in architecture. His writing has been published in several journals and magazines, including Places Journal, Thresholds, the Journal of Architectural Education, and The Funambulist. Nahleh holds a Bachelor of Architecture from the American University of Beirut and a Master of Science in architecture studies from the Massachusetts Institute of Technology.
Tag(s)
Program Support
This lecture is made possible by generous support from Ohio State’s Office of Academic Affairs.
LEARNING & PUBLIC PRACTICE PROGRAMS MADE POSSIBLE BY
CoverMyMeds
Huntington
ADDITIONAL SUPPORT PROVIDED BY
Ohio Arts Council
The Ohio State University Office of Outreach & Engagement
Milton and Sally Avery Arts Foundation
Martha Holden Jennings Foundation
SUPPORT FOR LEARNING & PUBLIC PRACTICE RESIDENCIES PROVIDED BY
Mike and Paige Crane
WEXNER CENTER PROGRAMS MADE POSSIBLE BY
Greater Columbus Arts Council
The Wexner Family
Institute of Museum and Library Services
Mellon Foundation
Every Page Foundation
Ohio Arts Council, with support from the National Endowment for the Arts
CampusParc
Nationwide Foundation
Lois S. and H. Roy Chope Fund of The Columbus Foundation
The Columbus Foundation
Axium Packaging
ADDITIONAL SUPPORT PROVIDED BY
Ohio History Fund/Ohio History Connection
David Crane and Elizabeth Dang
AD—WO in Conversation