Past Talks & More | Artist Talks

Carolyn Lazard and Constantina Zavitsanos

Call Me (Coming Back Home)

Moderated by Alice Sheppard with responses from Mae Eskenazi, Kayla Hamilton, and Joselia Rebekah Hughes

Virtual

Two video stills are next to one another echoing each other with only slight differences in texture and minor shifts in color. The first still hosts a solid black background with white captions on a subtle dark gray block that state: “just tell me the details you do remember.” The video still on the right hosts a dark rocky asphalt ground with flecks of mica; it feels like looking down at a road. Open captions in yellow read: “Tell me the details of what you do remember.

Carolyn Lazard and Constantina Zavitsanos (currently featured in Climate Changing) join us for the latest Diversities in Practice talk. They will share works and take part in a conversation with dancer and choreographer Alice Sheppard along with Mae Eskenazi, Kayla Hamilton, and Joselia Rebekah Hughes, who will call in to discuss call-and-response art practices.

In Lazard’s and Zavitsanos’s words:

"Topics of discussion will span an array of the following: collectivity, determination, autonomy and dependency, care, debt, Ugly Laws, court jesters, loading doses, loaded docents, dropping deuces, continual incubation, consistency, conspiracy, shit talk, subsidy, consensual healing, hauntology, spectral spaces, woo woo and gooey goo, hapticality, holography, practicality, saying no, crip time, derangement, disorderly conduit, mediumship, scale, opacity too thick to shake, proteins, peptides, perpendicular drags, binaural sound, bilateral stimulation, art therapy, astral travel, and trauma as the ride you’ve been waiting to hitch. Come see where we land on the Bristol scale tonight. Bring your crip questions, nerdy art comments, burning desires, and love song requests. Q&A with everyone will follow. Obviously, this event is accessible: CART, ASL interpretation, Image Description, and Audio Description provided. Can’t wait to hang!"

Image caption and description for image above:

From left to right:

Carolyn Lazard, Consensual Healing, 2018 (still). HD video, 15 mins.

Park McArthur and Constantina Zavitsanos, Scores for Carolyn, 2019 (still). HD video, open captions, slowed sound, 11:28 mins. Images courtesy of the artists.

Image description: Two video stills are next to one another echoing each other with only slight differences in texture and minor shifts in color. The first still hosts a solid black background with white captions on a subtle dark gray block that states: “just tell me the details you do remember.” The video still on the right hosts a dark rocky asphalt ground with flecks of mica; it feels like looking down at a road. Open captions in yellow read: “Tell me the details of what you do remember."

More about the series

Diversities in Practice is a collaboration between Ohio State’s Wexner Center for the Arts, Department of Art, and Living Culture Initiative. This series includes talks and moderated discussions featuring a range of artists, thinkers, and practitioners engaged in compelling and critical work, centering projects ​that examine, shape, and push both material and ideological boundaries. This season we are happy to present Jonathan Berger, Torkwase Dyson, Cauleen Smith, Carolyn Lazard, Constantina Zavitsanos, and other artists who ​offer new insights and challenge our assumptions on issues of accessibility discrimination, race-based displacement, capitalism, labor, and systems of authority and authenticity. These presentations will be available online throughout 2020–21. ​Also available online are talks from 2020 with Christine Sun Kim, Stephanie Syjuco, Tomashi Jackson, Earlonne Woods, and Nigel Poor. Watch this website for updates and details.

Two video stills are next to one another echoing each other with only slight differences in texture and minor shifts in color. The first still hosts a solid black background with white captions on a subtle dark gray block that state: “just tell me the details you do remember.” The video still on the right hosts a dark rocky asphalt ground with flecks of mica; it feels like looking down at a road. Open captions in yellow read: “Tell me the details of what you do remember.

Pictured from left to right: Carolyn Lazard, Consensual Healing, 2018 (still). HD video, 15 mins.

Park McArthur and Constantina Zavitsanos, Scores for Carolyn, 2019 (still. HD video, open captions, slowed sound, 11:28 mins. Images courtesy of the artists.

Image description: Two video stills are next to one another echoing each other with only slight differences in texture and minor shifts in color. The first still hosts a solid black background with white captions on a subtle dark gray block that states: “just tell me the details you do remember.” The video still on the right hosts a dark rocky asphalt ground with flecks of mica; it feels like looking down at a road. Open captions in yellow read: “Tell me the details of what you do remember."

More about the speakers

Carolyn Lazard chevron-down chevron-up

Carolyn Lazard is a multidisciplinary artist and writer based in Philadelphia and New York. They have exhibited work in various institutions including Palais de Tokyo, Paris, France; Kunstverein München, Munich, and Museum fur Moderne Kunst, Frankfurt, in Germany; MIT List Visual Arts Center, Cambridge, Massachusetts; Institute of Contemporary Art, Philadelphia; Yerba Buena Center for the Arts, San Francisco; Walker Art Center, Minneapolis; and The Whitney Museum of American Art, The Kitchen, and the New Museum in New York. With Constantina Zavitsanos and others, they coorganized the cross-disability arts events “I Wanna Be With You Everywhere” at Performance Space New York. Lazard has published writing in the Brooklyn Rail, Mousse Magazine, and Triple Canopy. They hold a BA from Bard College and an MFA from the University of Pennsylvania. Read more.

Constantina Zavitsanos chevron-down chevron-up

Constantina Zavitsanos works in sculpture, performance, text, and sound to elaborate what’s invaluable in the re/production of debt, dependency, and means beyond measure. Zavitsanos has exhibited at the Brooklyn Museum, New Museum, Artists Space, The Kitchen, and Participant Inc. in New York; at Arika in Glasgow, Scotland; and at Haus der Kulturen der Welt in Berlin, Germany. With Park McArthur, they coauthored “Other Forms of Conviviality” in Women and Performance (Routledge, 2013) and “The Guild of the Brave Poor Things” in Trap Door: Trans Cultural Production and the Politics of Visibility (MIT Press, 2017). With Carolyn Lazard and others, they coorganized the cross-disability arts events “I Wanna Be With You Everywhere” at Performance Space New York. Zavitsanos is a 2021 recipient of the Roy Lichtenstein Award in Visual Arts from the Foundation for Contemporary Arts. They live in New York and teach at the New School. Read more.

Alice Sheppard chevron-down chevron-up

Alice Sheppard resigned her tenured professorship to train with Kitty Lunn and Infinity Dance Theater. Sheppard joined AXIS Dance Company where she became a core company member, toured nationally, and taught in the company’s education and outreach programs. Since becoming an independent dance artist, she has danced in projects with Ballet Cymru/GDance and Marc Brew Company in the United Kingdom. In the United States she has worked with Marjani Forté, MBDance, Infinity Dance Theater, and Steve Paxton. As a guest artist, she has danced with AXIS Dance Company, Full Radius Dance, and MOMENTA Dance Company.  Sheppard has also performed as a solo artist and keynote academic speaker throughout the United States.

Sheppard is the founder and artistic lead for Kinetic Light, a project-based ensemble working at the intersections of disability, dance, design, identity, and technology to create transformative art and advance the intersectional disability arts movement. A USA Artist, Creative Capital grantee, and Bessie Award winner, she creates movement that challenges conventional understandings of disabled and dancing bodies while attending to the complex intersections of disability, gender, and race. Her writing has appeared in the New York Times, Catalyst, and Movement Research and Performance Journal. Read more.

Cosponsored by Ohio State’s Wexner Center for the Arts, Department of Art, and Living Culture Initiative.

LEARNING AND PUBLIC PRACTICE PROGRAMS MADE POSSIBLE BY
American Electric Power Foundation

ADDITIONAL SUPPORT PROVIDED BY
Ingram-White Castle Foundation
State Farm
Ohio Arts Council
Martha Holden Jennings Foundation
CoverMyMeds
PNC Foundation
Chalmers P. Wylie VA Ambulatory Care Center
Milton and Sally Avery Arts Foundation

WEXNER CENTER PROGRAMS MADE POSSIBLE BY
The Wexner Family
Greater Columbus Arts Council
Mary and C. Robert Kidder
L Brands Foundation
American Electric Power Foundation
The Columbus Foundation
Ohio Arts Council
Bill and Sheila Lambert
Institute of Museum and Library Services
Huntington
Nationwide Foundation
Adam Flatto
Vorys, Sater, Seymour, and Pease
Arlene and Michael Weiss

ADDITIONAL SUPPORT PROVIDED BY
Carol and David Aronowitz
Michael and Paige Crane
Axium Plastics
Fenwick & West LLP
Jeni’s Splendid Ice Creams
KDC/ONE
M/I Homes
Ohio State Energy Partners
Regina Miracle International Ltd.
Washington Prime Group
Alene Candles
Lisa Barton
Fuel Transport
Russell and Joyce Gertmenian
Liza Kessler and Greg Henchel
Nancy Kramer
Matrix Psychological Services
Paramount Group, Inc.
Bruce and Joy Soll
Clark and Sandra Swanson
Business Furniture Installations
CASTO
E.C. Provini Co, Inc.
Garlock Printing & Converting
M-Engineering
New England Development
Our Country Home
Performance Team
Premier Candle Corporation
ProAmpac
Steiner + Associates
Textile Printing
Andrew and Amanda Wise

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Past Talks & More

Carolyn Lazard and Constantina Zavitsanos