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Easy Mo Bee and Jason Rawls

Digging into the Crates

Collage of a black-and-white photo of Easy Mo Bee in a sound studio and Jason Rawls with two turntables and a microphone.

Explore the hip-hop archive through music and conversation with producers Easy Mo Bee and Jason Rawls.

Join legendary record producer Easy Mo Bee and Ohio State faculty, producer, and DJ Jason Rawls as they dig into the crates—exploring the early days of hip-hop and looking to the future of the art form. Hear the beats that have set the tone for contemporary hip-hop while tracking the history and culture surrounding the movement. 
 
Using turntables and an E-mu SP-1200 drum machine, Mo Bee will break down some of his classic beats and share a few stories about his time working with icons like the Notorious B.I.G. and Tupac Shakur. Demonstration, collective listening, and conversation will give you insights into the practice and the relationship between DJing and producing, as well as an appreciation for the producers and their craft. An audience Q&A follows the conversation.

IMAGE CAPTION
Left to right: Easy Mo Bee, photo courtesy of the speaker. Jason Rawls, photo: Madeby. Kai.

"He changed the game. Easy Mo Bee basically taught us that we can make music out of different sounds."

About the Artist

Easy Mo Bee chevron-down chevron-up

Easy Mo Bee is an American hip-hop and R&B record producer and DJ. He is known for his work with artists such as Big Daddy Kane and Miles Davis, as well as with Bad Boy Records in its early years. He produced major hits for Notorious B.I.G.’s debut album, Ready to Die, and such classic songs as “Gimme the Loot,” “Warning,” “Machine Gun Funk,” “Ready to Die,” and “The What.” He also produced Craig Mack’s “Flava in Ya Ear” and the remix featuring the Notorious B.I.G., Rampage, LL Cool J, and Busta Rhymes.
 

Dr. Jason Rawls chevron-down chevron-up

Dr. Jason Rawls is an avid educator with almost two decades of K–12 teaching experience and 10 years of higher education teaching experience. He has presented workshops on the music industry, hip-hop education, and beat making at several major universities around the country. Also a producer and DJ (previously known as J Rawls), he first gained national prominence for his production work on Mos Def and Talib Kweli’s Black Star project, including the songs “Brown Skin Lady” and “Yo, Yeah.”

This lecture is made possible by generous support from Ohio State’s Department of African American and African Studies and the School of Music.

LEARNING & PUBLIC PRACTICE PROGRAMS MADE POSSIBLE BY

CoverMyMeds
Huntington

 
ADDITIONAL SUPPORT PROVIDED BY
Ohio Arts Council

The Ohio State University Office of Outreach & Engagement
Milton and Sally Avery Arts Foundation

Martha Holden Jennings Foundation
 
SUPPORT FOR LEARNING & PUBLIC PRACTICE RESIDENCIES PROVIDED BY

Mike and Paige Crane
 
WEXNER CENTER PROGRAMS MADE POSSIBLE BY

Greater Columbus Arts Council

The Wexner Family
Institute of Museum and Library Services

Mellon Foundation

Every Page Foundation

Ohio Arts Council, with support from the National Endowment for the Arts

CampusParc
Nationwide Foundation
Lois S. and H. Roy Chope Fund of The Columbus Foundation

The Columbus Foundation

Axium Packaging
 
ADDITIONAL SUPPORT PROVIDED BY

Ohio History Fund/Ohio History Connection
David Crane and Elizabeth Dang


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Easy Mo Bee and Jason Rawls