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Past Talks & More | Artist Talks
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Join interdisciplinary artist and writer Katherine Behar and writer and scholar Jennifer Rhee for a discussion about artificial intelligence (AI), digital culture, and art.
Learn about Behar’s recent exhibition Ack! Knowledge! Work!, which explores labor and digital technology in a contemporary context. The conversation with Behar and Rhee will also examine how these topics come together in performance art, AI, robotics, and literature.
An audience Q&A follows the conversation.
This dialogue is part of the Arts, Technology and Social Change series, a micro-residency program sponsored by Global Arts + Humanities Discovery Theme.
IMAGE CAPTIONFrom left to right: Jennier Rhee, photo: Daniel Robin; Katherine Behar.
The Arts, Technology and Social Change series is an initiative conceived by Ohio State’s Department of History of Art, Department of Art, Wexner Center for the Arts, and the Translational Data Analytics Institute. The residency program is a cross-department platform that involves public engagement on campus and around Columbus to explore questions on technology and social change in our contemporary moment.
Katherine Behar is an interdisciplinary artist and writer who explores gender, race, and labor in digital culture. Beall Center for Art + Technology, Irvine, California, presented her major solo exhibition Ack! Knowledge! Work! (2024). Her comprehensive survey Katherine Behar: Data’s Entry | Veri Girişi (2016, catalogue) was presented by Pera Museum in Istanbul, Turkey. Additional solo exhibitions include Shelf Life (2022), Backups (2019), Anonymous Autonomous (2018), E-Waste (2014, catalogue/traveling), and numerous others collaborating with Marianne M. Kim as Disorientalism. Behar’s books include Object-Oriented Feminism, And Another Thing: Nonanthropocentrism and Art, and Bigger than You: Big Data and Obesity. She is a professor of New Media Arts at Baruch College, City University of New York.
Jennifer Rhee is an associate professor of English and founding director of the AI Futures Lab at Virginia Commonwealth University. Her research focuses on artificial intelligence across technology, art, and speculative fiction. She is currently finishing a book on machine learning, futurities, and narratives of AI’s inevitability. She is the author of The Robotic Imaginary: The Human and the Price of Dehumanized Labor (2018) and coeditor of The Palgrave Handbook of Twentieth- and Twenty-First Century Literature and Science (2020) and Informatics of Domination, which is forthcoming with Duke University Press. Her research has also been published in numerous edited volumes and journals.
SUPPORT FOR THIS INITIATIVE PROVIDED BYOhio State’s Global Arts + Humanities Discovery Theme
LEARNING & PUBLIC PRACTICE PROGRAMS MADE POSSIBLE BYAmerican Electric Power FoundationCoverMyMedsHuntington
ADDITIONAL SUPPORT PROVIDED BYIngram-White Castle FoundationOhio Arts CouncilThe Ohio State University Office of Outreach & EngagementMilton and Sally Avery Arts FoundationMartha Holden Jennings Foundation
SUPPORT FOR LEARNING & PUBLIC PRACTICE RESIDENCIES PROVIDED BYMike and Paige Crane
WEXNER CENTER PROGRAMS MADE POSSIBLE BYGreater Columbus Arts CouncilThe Wexner FamilyInstitute of Museum and Library ServicesMellon FoundationEvery Page FoundationOhio Arts Council, with support from the National Endowment for the ArtsCampusParcNationwide FoundationLois S. and H. Roy Chope Fund of The Columbus FoundationOhio State’s Global Arts + Humanities Discovery ThemeThe Columbus FoundationAxium Packaging
ADDITIONAL SUPPORT PROVIDED BYOhio State Energy PartnersOhio History Fund/Ohio History ConnectionDavid Crane and Elizabeth DangMelissa Gilliam and William GrobmanRebecca Perry Damsen and Ben Towle
Past Talks & More
Jennifer Rhee and Katherine Behar in Conversation