Past Exhibitions

Jumana Manna: Break, Take, Erase, Tally

Midwest Premiere

Installation of ceramic sculptures, including bread and a green double rectangle on metal grates on cinderblocks. Architecture is visible.

Jumana Manna’s first major museum exhibition in the US charts the artist’s multidisciplinary practice, exploring the paradoxical effects of preservation in agriculture, science, and law.

Land features centrally in Manna’s interdisciplinary work, which uses a range of narrative methods and sculptural forms to visualize the slow violence of industrial agriculture, neoliberal economic policy, and policing. Bearing witness to the ongoing tensions between agrarian histories and state bureaucracies, her practice traces the flows of human and plant life across political and legal boundaries. Visitors can engage with the ideas she presents through films, sculptures and installations. 

Manna’s film Wild Relatives (2018) follows the rebuilding of a seed bank after the Syrian war forced its relocation from Aleppo, via the Svalbard Global Seed Vault, to neighboring Lebanon. In Foragers (2022), Manna moves between fiction and documentary to chronicle the confrontations between Palestinian pickers of the wild-growing herbs ’akkoub and za’atar and the Israeli Nature and Parks Authority, which has classified these plants as endangered. The foragers’ refusal and the punishments they face, from large fines to potential jail time, at times take on an absurdist and comical tone that raises key questions around the politics of extinction—namely who determines what gets to live on and how.

Break, Take, Erase, Tally brings together nearly 20 works and presents Foragers and Wild Relatives in conversation with a new installation of sculptures that take inspiration from the fragmented remains of khabyas, traditional and now-obsolete structures for grain storage in the Levant. These architectural and biomorphic objects are arrayed on plinths that borrow materials found in urban industrial infrastructures, from vaults to drainage systems. Viewers can also experience the ways that these support structures also echo the grid pattern of the Wexner Center’s architecture, engaging the museum’s role as a site of preservation and control.

Foragers will be screening in the gallery at the following times:

11:15 AM, 12:25 PM, 1:35 PM, 2:45 PM, and 3:55 PM daily 
and at 5:05 PM and 6:15 PM on Thursdays only 

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Installation of ceramic sculptures, including bread and a green double rectangle on metal grates on cinderblocks. Architecture is visible.

Installation view of Jumana Manna: Break, Take, Erase, Tally at the Wexner Center for the Arts. 

Overhead of ceramic sculptures made to resemble small, multicolored breads in various states of decomposition. They are placed on newspapers.

Jumana Manna, Old Bread International, 2022 (detail). Ceramic, plastic bags, and newspapers, dimensions variable. Installation view at the Wexner Center for the Arts. Courtesy of the artist and Hollybush Gardens, London. 

View  of five anthropomorphic sculptures of skin tone hues on metal grates on cinderblocks. Windows, beams, and overhead lights are visible.

 Installation view of Jumana Manna: Break, Take, Erase, Tally at the Wexner Center for the Arts.

A red rectangular sculpture with a small hole on side rests on a white plinth. The two objects are situated near a white gallery wall.

Jumana Manna, Red Ledge (Cache Series), 2019. Ceramic, concrete, lime, and pigments. Courtesy of the artist and Hollybush Gardens, London. Photo: Luca Guadagnini.

Installation of ceramic sculptures, including bread and a green double rectangle on metal grates on cinderblocks. Architecture is visible.

Installation view of Jumana Manna: Break, Take, Erase, Tally at the Wexner Center for the Arts. 

View of entrance to a dark room with video playing. A wall work is on left-middle of wall and a sculpture on a metal grate is on the bottom right.

Installation view of Jumana Manna: Break, Take, Erase, Tally at the Wexner Center for the Arts. 

A minimal hand truck supports a large, handmade, terracotta ceramic sewer pipe. It  resembles a T-shaped pipe fitting, with three openings.

Jumana Manna, Late Night Stroller (Limb Pipe Series), 2021. Ceramics and metal trolley, 59 x 19 11/16 x 29 1/2 in. Installation view at the Wexner Center for the Arts. Courtesy the artist and Brief Histories, New York. 

A pair of hands using tweezers to cross-pollinate a pair of plants. The person’s hands are covered in thin white, fingerless gloves.

Jumana Manna, Wild Relatives (still), 2018. HD video; 63:55 mins. Courtesy of the artist; Brief Histories, New York; and Hollybush Gardens, London.

A partially bald man with dark brown skin crouches behind dense green foliage. His raised eyebrows create forehead lines.

Jumana Manna, Foragers (still), 2022. HD video, 63:34 mins. Courtesy of the artist; Brief Histories, New York; and Hollybush Gardens, London.

More about the artist

Jumana Manna chevron-down chevron-up

Jumana Manna (she/her) is a visual artist and filmmaker whose work explores how power is articulated, focusing on the body, land, and materiality in relation to colonial inheritances and histories of place. She has exhibited at venues including the Berkeley Art Museum & Pacific Film Archive in Berkeley, California; the Museum of Contemporary Art, Antwerp (M HKA) in Belgium; Mercer Union, Toronto; and SculptureCenter, New York, among others. Manna’s work is held in public and private collections internationally, including The Museum of Modern Art, New York; MCA Chicago; Centre Pompidou, Paris; Carré d’art, Nîmes, France; National Museum of Norway, Oslo; and Sharjah Art Foundation, United Arab Emirates. Learn more on Jumana Manna’s website.

Jumana Manna: Break, Take, Erase, Tally is organized by MoMA PS1 Curator and Director of Curatorial Affairs Ruba Katrib. The Wexner Center’s presentation is coordinated by Associate Curator of Exhibitions Daniel Marcus.

EXHIBITION 2023–24 SEASON MADE POSSIBLE BY
Bill and Sheila Lambert
Carol and David Aronowitz
Crane Family Foundation
Mike and Paige Crane 

FREE GALLERIES MADE POSSIBLE BY
American Electric Power Foundation
Mary and C. Robert Kidder 
Bill and Sheila Lambert

ADDITIONAL SUPPORT FOR FREE GALLERIES PROVIDED BY
Adam Flatto
CoverMyMeds 
PNC Foundation

WEXNER CENTER PROGRAMS MADE POSSIBLE BY
Ohio Department of Development
Greater Columbus Arts Council
The Wexner Family
Institute of Museum and Library Services
Ohio Arts Council
CampusParc
Ohio State’s Global Arts + Humanities Discovery Theme
The Columbus Foundation
Nationwide Foundation
Vorys, Sater, Seymour, and Pease

ADDITIONAL SUPPORT PROVIDED BY
Mike and Paige Crane
Axium Packaging
Nancy Kramer
Ohio State Energy Partners
Ohio History Fund/Ohio History Connection 
Larry and Donna James
Bruce and Joy Soll
Jones Day
Alex and Renée Shumate

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Past Exhibitions

Jumana Manna: Break, Take, Erase, Tally