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ACCESSIBILITYWe strive to host inclusive, accessible events that enable all individuals, including individuals with disabilities, to engage fully. If you have questions about accessibility or require an accommodation to participate, please contact Accessibility Manager Helyn Marshall at accessibility@wexarts.org or via telephone at (614) 688-3890. Requests made by two weeks in advance will generally allow us to provide seamless access, but the Wexner Center for the Arts will make every effort to meet requests made after this date.
Interact with the Wexner Center’s interior and exterior spaces in unexpected ways with new Wex-commissioned installations by Columbus-based practice Outpost Office.
Led by Ashley Bigham and Erik Herrmann, assistant professors at Ohio State’s Knowlton School, Outpost Office designs installations, events, and buildings that challenge architecture’s tendencies toward permanence and accumulation. They do so by embracing an impermanent, open-ended, and responsive practice. In that spirit, their Wexner Center–commissioned work unfolds in several phases.
Beginning in late August 2023, the first phase includes the large-scale project Drawing Fields No. 7. A GPS-controlled robot will paint yellow and lavender curvilinear patterns on the tree-lined Wex plaza lawn. Part of an ongoing series, the project employs techniques of algorithmic creativity. A playful entry to campus, the drawing provides a respite to the rigorous geometry of the nearby Wexner Center, weaving vibrant threads of color to activate the grove with loose wefts and warps. Inherently ephemeral, the patterns disappear over several weeks with growth, rain, and sun.
In November 2023, Outpost Office will add a subsequent installation, Color Block No. 2. This large-scale, modular furniture activates various in-between spaces both inside and outside the Wexner Center. People are encouraged to interact with the pieces, rather than simply viewing them, changing the dynamic usually experienced in a gallery or museum. The installation challenges both conceptual and physical institutional boundaries. Museum architecture often imposes divisions between gallery spaces and public areas. This division is blurred in the Wexner Center’s building. Exhibition spaces and architectural features converge, making the Wexner Center a milestone in postmodern architecture. New spaces created by Color Block No. 2 extend these characteristics. These spaces for collaboration, socializing, and informal learning draw visitors’ attention from the building’s exterior to its interior.
Fall 2024 Learning Guide
Autumn 2023 Gallery and Learning Guide
Interview: “Outpost Office Invites You to Broaden Your View of Architecture,” CityPulse
Outpost Office, Color Block No. 2, installation view at the Wexner Center for the Arts, 2023. Photo: Phil Arnold.
Outpost Office, Color Block No. 2 (1 of 4), 2023. Latex paint on plywood, powder-coated aluminum grate. Commissioned by the Wexner Center for the Arts. Courtesy of Outpost Office, which is led by Ashley Bigham and Erik Herrmann, assistant professors at Ohio State’s Knowlton School. Photo: Phil Arnold.
Outpost Office, Color Block No. 2 (3 of 4), 2023. Latex paint on plywood, powder-coated aluminum grate. Commissioned by the Wexner Center for the Arts. Courtesy of Outpost Office, which is led by Ashley Bigham and Erik Herrmann, assistant professors at Ohio State’s Knowlton School. Photo: Phil Arnold.
Outpost Office, Color Block No. 2, installation view at the Wexner Center for the Arts, 2023. Photo: Leonid Furmansky.
Outpost Office, Drawing Fields No. 7, 2023. Water-soluble and nontoxic paint applied by GPS-controlled painting robot. Courtesy of Outpost Office. Photo: Outpost Office.
Outpost Office, Drawing Fields No. 7, 2023. Water-soluble and nontoxic paint applied by GPS-controlled painting robot. Courtesy of Outpost Office. Photo: Phil Arnold, Knowlton School, Ohio State.
Outpost Office. Photo: Julie Rae Powers.
Outpost Office was named one of Architect magazine’s Next Progressives and has completed several artist residencies at institutions including Headlands Center for the Arts, Sausalito, California; MacDowell, Peterborough, New Hampshire; and Loghaven Artist Residency, Knoxville, Tennessee. Their ongoing robotic painting series Drawing Fields has been recognized with design awards, including a Best of Design Award from the Architect’s Newspaper. Outpost Office has been featured in such publications as Log, Metropolis, Mark, Surface, and Avery Shorts, and their work has been exhibited at venues including the Chicago Architecture Biennial; the Milwaukee Art Museum; the Tallinn Architecture Biennale, Estonia, and Roca London Gallery, UK. Learn more on the Outpost Office website.
Outpost Office is organized by the Wexner Center for the Arts and curated by Head of Exhibitions Kelly Kivland.
THIS PRESENTATION MADE POSSIBLE BYOhio State’s Integrated Physical Planning Liaison Group
EXHIBITION 2023–24 SEASON MADE POSSIBLE BYBill and Sheila LambertCarol and David AronowitzCrane Family FoundationMike and Paige Crane
FREE GALLERIES MADE POSSIBLE BYAmerican Electric Power FoundationMary and C. Robert Kidder Bill and Sheila Lambert
ADDITIONAL SUPPORT FOR FREE GALLERIES PROVIDED BYAdam FlattoCoverMyMeds PNC Foundation
WEXNER CENTER PROGRAMS MADE POSSIBLE BYOhio Department of DevelopmentGreater Columbus Arts CouncilThe Wexner FamilyInstitute of Museum and Library ServicesOhio Arts CouncilCampusParcOhio State’s Global Arts + Humanities Discovery ThemeThe Columbus FoundationNationwide FoundationVorys, Sater, Seymour, and Pease
ADDITIONAL SUPPORT PROVIDED BYMike and Paige CraneAxium PackagingNancy KramerOhio State Energy PartnersOhio History Fund/Ohio History Connection Larry and Donna JamesBruce and Joy SollJones DayAlex and Renée Shumate
Outpost Office