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Past
Psychedelic Formalism and the Birth of Video Art at The National Center for Experiments in Television
Free to all audiences
In 1967, a team of young painters, poets, musicians, and electrical engineers took up residence in San Francisco television station KQED-TV and began work on some of the earliest video art, rethinking what video was and could be in the process. Kris Paulsen, assistant professor in Ohio State’s Department of History of Art, explores the creation of the landmark National Center for Experiments in Television (NCET), focusing attention on an influential but long-neglected body of work.
Cosponsored with Ohio State’s Film Studies Program.
SIGNIFICANT CONTRIBUTIONS FOR FILM/VIDEO
Rohauer Collection Foundation
PREFERRED AIRLINES
American Airlines/American Eagle
GENERAL SUPPORT FOR THE WEXNER CENTER
Greater Columbus Arts Council
Columbus Foundation
Nationwide Foundation
Ohio Arts Council
Kris Paulsen: In the Beginning... There Was the Electron