Now Film/Video | The Box

Norah ZShaw

Upwelling (2022)

Stream | Artist Residency | Columbus Premiere

Norah ZShaw’s Wex-supported Upwelling is a visual and sonic poem assembled from messages shared across the globe by fellow artists living through the lockdowns and protests of 2020.

In May 2020, as the COVID-19 pandemic spread and quarantines were put in place, intermedia artist and Ohio State Professor of Dance Norah Zuniga Shaw (ZShaw) invited 27 friends—fellow artists scattered across three continents and two hemispheres—to leave a trace of their lives. Using WhatsApp as a platform for message exchange and collection, ZShaw’s prompt to participate activated individual practices to create a nourishing creative community during a period of isolation and uncertainty. The resulting short film, woven together from the collected video and cellphone audio messages, moves from learning to live in isolation to participating in the Black Lives Matter protests held in response to the police killing of George Floyd.

While the work chronicles a series of fragmented, widely varying experiences, Upwelling also offers a restorative beacon of presence. Created over the intervening period and now viewed from almost two years later, the project can be seen as an act of care and remembering, or what the artist calls “a form of memory work, a way of recalling to deconstruct, to understand, and to remain in the moment of planetary need and urgency.” Upwelling’s gathered recitations and incantations create a collective register of a transformative moment on the planet—together, in short, they leave a trace. (14:13 mins., video)

Upwelling was created with the support of the Wexner Center’s Film/Video Studio as well as a yearlong residency for experiments in digital performance. ZShaw’s projects include Synchronous Objects with William Forsythe, TWO with Bebe Miller, the transmedia performance ritual Climate Gathering, and the Livable Futures public practice and podcast.

Photo of the word "Upwelling" written on notebook paper

Upwelling, image courtesy of Norah ZShaw.

Photo of a person with dark hair in pigtails dancing with arms outstretched in the sand under a bridge on the shoreline. There are animated geometric designs added to the bridge and surroundings in the photo.

Upwelling, image courtesy of Norah ZShaw.

From left to right: Photo of a berry bush on the side of a paved path; photo of a sign that reads “BLACK LIVES MATTER” hanging under a bridge, surrounded by trees; edge of a photo featuring geese swimming in a river and trees in the background

Upwelling, image courtesy of Norah ZShaw.

Notebook sketch of the shape of a person created with geometric lines; there appear to be mountains drawn in the background and a circular shape drawn of geometric lines in the center of the page

Upwelling, image courtesy of Norah ZShaw.

Handwritten note in black ink on notebook paper; it reads, "I see myself better when this thing is off."

Upwelling, image courtesy of Norah ZShaw.

A photo broken into three of leafy plants in brown water

Upwelling, image courtesy of Norah ZShaw.

Related Material

More about the project

Norah Zuniga Shaw chevron-down chevron-up

Norah Zuniga Shaw is an interdisciplinary performance artist, writer, facilitator, and creative director. Her work has been presented throughout the US, Asia, Australia, and Europe, including at the Centre Pompidou, Paris; Sadler’s Wells, London; the Chicago Humanities Festival; and at the Wexner Center. Her essays, poems, and interviews have appeared in Choreographic Practices, Performance Research, and Motion Bank, among other journals, platforms, and publications. She is a vocalist for the Sonic Arts Ensemble, professor in Ohio State’s Department of Dance, and Director for Dance and Technology for the department and Ohio State’s Advanced Computing Center for the Arts and Design, where she cofounded the Motion Lab in 2005 to foster innovations in performance and technology. She has received numerous fellowships, grants, and awards and continues to offer public lectures, workshops, and performance installations internationally. Read more

Upwelling credits chevron-down chevron-up

Concept, editing, and sound design: Norah ZShaw
Postproduction animation: Taylor Olsen
Postproduction sound: Paul Hill
© 2022

Upwelling converges paths with two other works that emerged during 2020:

UnchartedTerritory
Animations and virtual journey sketches: Vita Berezina-Blackburn

and

The Sonic Arts Ensemble
Networked Performance improvisations
Directed by Marc Ainger

James Croson: piano
Scott Deal: vibraphone and percussion
Fede Cámara Halac: electronics
Oded Huberman: laptop
Jacob Kopcienski: altered saxophone and electronics
Berenice Llorens: guitar
Joe Sferra: clarinet
Norah Zuniga Shaw: vocals and body percussion
Ann Stimson: flute
With special guest 
The Honorable Elizabeth A. Baker (new renaissance artist) 

Upwelling contributing artists chevron-down chevron-up

Gabri Christa
Improvisation/incantation on the beach
Staten Island, New York

Jack Gray
Distance dances, beach walks, Hawaiian chant, rituals with Atamira Dance Company 
Auckland, Aotearoa/New Zealand

Marianne Kim and Bondo
"I see myself better when this thing is off"
Drawings, videos, and sound
Tempe, Arizona

Jen Rae
"Days between two days floating"
Images, sounds, and video
Melbourne/Naarm, Australia

Michael Morris
Reading bell hooks's All About Love
Columbus, Ohio

André M. Zachery 
Reading Fred Moten and Stefano Harney’s “Hapticality, or Love”
Images, sound, and video
Brooklyn, New York

Jazelynn Goudy 
“Hands up don’t shoot”
Images, sound, and video
Boston, Massachusetts

Sandra Babli
Reading Audre Lorde’s “A Litany for Survival”
Munich, Germany

Naree Vachananda
Reading Carlo Rovelli’s The Order of Time
Melbourne/Naarm, Australia

Kaustavi Sarkar
Odissi dancing
Charleston, South Carolina

Awilda Rodríguez Lora
San Juan, Puerto Rico

Susanne Martin 
Berlin, Germany

Ale Jara
Cologne, Germany 

Peter Chan
Columbus, Ohio

Katherine Borland
Columbus, Ohio

Ben McCorkle
Columbus, Ohio

Kathryn Nusa Logan
Overbrook Ravine, Ohio

Sara Wookey
London, England

Carol Brown
Melbourne/Naarm, Australia

Upwelling original invitation to participate chevron-down chevron-up

April 2020

Dear New Friends, Old Friends, Dear Ones All,

I’m feeling called to connect with you and to create a PRACTICE of sharing audio and other digital traces with each other for the month of May. I've been talking with each of you about this a little already in different ways and now would like to weave us all together in a community of practice if it feels compelling and nourishing to you.

The Basic Idea
Share with each other audio or other digital registers of this period of time, wherever we are, as we are living into the long, middle period of the novel coronavirus pandemic; a period of unknown duration and uneven energies that I sense will require sustainment, endurance, deepening strength and a readiness akin to what Bebe Miller calls "keeping our weight at risk," ready to move in any direction. And I'm eager to know how you are thinking, coping, moving.

We might call this collective practice our own version of QUARANTINE DIARIES; diaries in movement and choreographic thinking, records, journal entries, registers, archival snippets from our lives, our lived environments, our daily impulses that can serve as nourishment for each other and body time (as Nancy Stark Smith of blessed memory often said) to help us to stay the course. And we can share them with each other via a WHAT'SAPP group. I’ll call it TRACE: artist friends entering into exchange of audio diaries during the middle days of pandemic.

A few more musings: I'm thinking also about Susan Rethorst and Ralph Lemon's Living Room Dances. I'm thinking how a lot of the “liveness” that we can enjoy during social distancing is about good audio, about conversational practices as surrogates for our regular practices. I'm thinking about Tonya Lockyer's Speakeasy practice, where we take the spotlight and ask for witnesses while we speak from the hip, in the moment, in a process, sharing references/anchors/links and reaching for radical, vulnerable presence over polish and prep. I'm thinking that we are all "working without a net" and there is so much space for experimentation and need for incantatory offerings; I'm thinking about walking and radio ballets and silent discos and audio walks in the tradition of Janet Cardiff, Tactical Media, peripatetic authors, and of course the Situationists.

How to participate:
I've been experimenting with this a bit, and I put my first two offerings up on a budding What'sApp group for this project. The first is a walking practice that I learned from Simone Forti called Notice What you Notice and the second is more like a long voicemail while out walking in nature, a practice that is keeping me sane at present. I'm loving making these and I'm hoping you will too.

Join me? Witnesses welcome as well as makers. Do what feels good. What nourishes you. Whatever your energy allows right now. Low Fi, tattered, in process, nothing fancy, full of love.

As adrienne maree brown says, Less Prep, More Presence!

I've invited this group of folks because each of you has had a powerful maker-presence in my life and I feel called to connect with you and connect you to each other. You are welcome to invite others. If you’d like to participate let me know and I’ll add you to the What’sApp group.

Love to you all!
Norah

Upwelling was made with support from the Wexner Center, with residencies in its Film/Video Studio and Department of Performing Arts; from Ohio State’s Global Arts + Humanities Discovery Theme and Advanced Computing Center for the Arts and Design; and from the Greater Columbus Arts Council.

FILM/VIDEO PROGRAMS MADE POSSIBLE BY
Cardinal Health
Kaufman Development

ADDITIONAL SUPPORT PROVIDED BY
Rohauer Collection Foundation

FILM/VIDEO STUDIO SUPPORTED IN PART BY
National Endowment for the Arts

PERFORMING ARTS PROGRAMS MADE POSSIBLE BY
Ohio Arts Council

WEXNER CENTER PROGRAMS MADE POSSIBLE BY
The Wexner Family
Greater Columbus Arts Council
The Columbus Foundation
Ohio Arts Council
American Electric Power Foundation
L Brands Foundation
Adam Flatto
Mary and C. Robert Kidder
Bill and Sheila Lambert
Institute of Museum and Library Services
Nationwide Foundation
Vorys, Sater, Seymour, and Pease

ADDITIONAL SUPPORT PROVIDED BY
Mike and Paige Crane
Pete Scantland
Axium Packaging
CampusParc
Jeni’s Splendid Ice Creams
President Kristina M. Johnson and Mrs. Veronica Meinhard
Nancy Kramer
Huntington
Lisa Barton
Johanna DeStefano
Russell and Joyce Gertmenian
Liza Kessler and Greg Henchel
Ron and Ann Pizzuti
Joyce and Chuck Shenk
Bruce and Joy Soll
Jones Day

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