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Noah Purifoy: Junk Dada Opens January 30

Noah Purifoy: Junk Dada Opens January 30

Wexner Center is only venue outside of Los Angeles to present exhibition

Tue, Jan 5, 2016

"It’s the perfect moment to rediscover Purifoy, an African-American artist who believed in art as a tool for social change, and whose work speaks directly to the climate of racial conflicts and unrest that’s dominated the headlines in the past year."—Vogue  

January 30–April 10, 2016, the Wexner Center for the Arts will present Noah Purifoy: Junk Dada, the first major museum retrospective devoted to this important artist and community activist. This is the exhibition's only other appearance outside of Los Angeles, where it enjoyed an acclaimed run at the Los Angeles County Museum of Art. Featuring more than 50 of Purifoy’s vibrant three-dimensional works dating from the late 1950s to the early 2000s—along with photographs and ephemera that give added insight into his profound impact on West Coast culture—Junk Dada offers a fascinating and career-spanning look at the work of this significant, if overlooked, American artist, who the Los Angeles Times called “the least well-known pivotal artist of the last 50 years.” The acclaimed exhibition was recently included in the New York Times’s and Artforum’s “Best of 2015” lists.

Notes Wexner Center Director Sherri Geldin, “Noah Purifoy spent his artistic life drawing upon such early 20th century art practices as Dada, collage, and the "readymade" and infusing them with a more contemporary aesthetic of assemblage fueled by social activism. In many respects, he was both of his time and ahead of it, deeply respected by such peers as Ed Ruscha and John Outterbridge, but largely unknown to the general public. We are pleased to contribute to his long overdue recognition and reception—not just on the west coast where he made his home, but nationally.”

A legend in California’s post-World War II art scene, Purifoy (1917–2004) emerged as a distinctive presence in the development of the West Coast’s unique post-war creative ethos. As artist, designer, and social worker, he used the modest materials of everyday life to produce assemblage sculptures and mixed-media constructions of dazzling visual invention, embodying an aesthetic the exhibition’s curators termed “junk dada.” Purifoy was the first African American to graduate from what is now CalArts and, in addition to making art, was a founding director of the Watts Towers Arts Center, created to preserve and protect Simon Rodia's soaring—if humbly erected—monument of and to that neighborhood

Bill Horrigan, Wexner Center curator at large, says, “This extensive survey is a long overdue and compelling examination of a remarkable body of work that shines a clarifying light on Purifoy’s inspiring work as an artist-educator.”

Junk Dada is curated by Franklin Sirmans and Yael Lipschutz for the Los Angeles County Museum of Art and is accompanied by a major catalogue with a preface by Sirmans; essays by Lipschutz, Lowery Stokes Sims, and Kristine McKenna; a Q&A with Purifoy excerpted from an earlier interview with C. Ian White; a chronology by Allison Glenn; and remembrances by Dale Brockman Davis, Judson Powell, Ed Ruscha, and Sue Welsh. Guests can explore selected works in the exhibition by using a special augmented reality app. The interactive program accesses photos, videos, and other content to deepen the experience with the work. Free iPad minis will be available to guests to access the additional content.


ABOUT NOAH PURIFOY

Born in Alabama in 1917, Purifoy earned a master’s degree in social work in Georgia, and worked in Cleveland from 1948 to 1950 for the Cuyahoga County Department of Social Services. While developing his practice as an artist in Southern California, he also cofounded the Watts Towers Arts Center. Working alongside such artists as David Hammons and John Outterbridge, Purifoy developed art programs for underserved children and furthered his commitment to inspiring self-discovery among youth through artistic creation, regardless of available materials or formal instruction. Purifoy was a founding member on the California Arts Council and served on it for over a decade, retiring in 1987 and moving permanently to Joshua Tree two years later, where he produced dozens of astonishing and audacious outdoor sculptures still standing today.

EXHIBITION-RELATED EVENTS

An exhibition preview will take place on Friday, January 29. Exhibition curator Franklin Sirmans will provide an expert introduction to the life and work of Purifoy in a curator’s talk at 5 pm. A reception follows at 6 pm. On Tuesday, February 23, Joni Boyd Acuff, assistant professor in Ohio State’s Department of Arts Administration, Education, and Policy, and Townsand Price-Spratlen, associate professor in the Department of Sociology, discuss the role of social justice and arts-based community-building in the work of Noah Purifoy. Walk-in tours, free with gallery admission, will be available throughout the run of the exhibition, beginning Saturday, February 6. 

VISITOR INFORMATION

Noah Purifoy: Junk Dada will be on view January 30–April 10, 2016 at the Wexner Center for the Arts, 1871 N. High St. (at 15th Avenue) on the campus of The Ohio State University in Columbus. Gallery hours are 11 am–6 pm Tuesday, Wednesday, and Sunday, and 11 am–8 pm Thursday–Saturday. Galleries are closed Mondays. Admission is $8; free for Wexner Center members, college students, and visitors 18 and under; free Thursdays from 4–8 pm and the first Sunday of the month.

More info on bus routes, parking, and other visitor information: http://wexarts.org/visit/location-and-directions or (614) 292-3535. 

Low-resolution press image selection

These images are provided exclusively to the press and may only be used for promotional purposes directly related to the corresponding Wexner Center for the Arts event. For hi-res images or more information, please contact Jennifer Wray at (614) 247-6241 or Erik Pepple at (614) 292-9840

1.
Noah Purifoy, Black, Brown and Beige (After Duke Ellington), 1989
Noah Purifoy, Black, Brown and Beige (After Duke Ellington), 1989

Combine
68 x 113 in.
Collection of Sue A. Welsh, Tara's Hall
© Noah Purifoy Foundation
Photo courtesy Noah Purifoy Foundation, by Seamus O'Dubslaine
2.
Noah Purifoy, Drum Song, 1966
Noah Purifoy, Drum Song, 1966

Assemblage
27 x 17 x 4 in.
Brockman Gallery Collection
© Noah Purifoy Foundation
Photo courtesy Noah Purifoy Foundation
3.
Noah Purifoy, For Lady Bird, 1987–89
Noah Purifoy, For Lady Bird, 1987–89

Mixed media
73 x 29 x 6 in.
Private Collection; courtesy of Tilton Gallery, New York
© Noah Purifoy Foundation
Photo courtesy Tilton Gallery, New York
4.
Noah Purifoy, Strange Fruit, 2002
Noah Purifoy, Strange Fruit, 2002

Assemblage
74 x 31.5 x 6.5 in.
Collection of Sue A. Welsh, Tara's Hall
© Noah Purifoy Foundation
Photo © Robert Wedemeyer
5.
Noah Purifoy, Sir Watts II, 1996
Noah Purifoy, Sir Watts II, 1996

Assemblage sculpture
29.5 x 20 x 10.5 in.
Collection of the Oakland Museum of California, gift of the Collector's gallery
© Noah Purifoy Foundation
Photo © Oakland Museum of California, all rights reserved
6.
Noah Purifoy, Untitled, 1967
Noah Purifoy, Untitled, 1967

Mixed media
43 x 43 in.
John Outterbridge Collection
© Noah Purifoy Foundation
Photo © Robert Wedemeyer
PARKING UPDATE: Construction at 15th and High. For more information click here.

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