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Watch to support the Wex: Virtual screenings as of April 10

Melissa Starker, Creative Content & PR Manager

Apr 10, 2020

A scene from the 1976 Brazilian sex comedy Dona Flor and her Two Husbands

Want something great to watch? Here's everything streaming for at least the next week in virtual screening rooms created with independent distributor partners. Each stream via the Wex screening rooms helps support the center and its programming.

Premiering today: Dona Flor and Her Two Husbands

A scene from the 1976 Brazilian comedy Dona Flor and Her Two Husbands

Images courtesy of Film Movement

"Dona Flor and Her Two Husbands should be seen as liberating, an unpretentious and uncomplicated slant on desire."—Los Angeles Times

New restoration!

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Premiering today: The Hottest August

A scene of people lounging on a beach from the documentary The Hottest August

Image courtesy of Grasshopper Film

"No movie can encompass everything that’s on the minds of Americans at the moment, but [director Brett] Story’s modest but wide-ranging cine-essay comes closest, constructed in such a fashion that no two audiences will see it the same way."—Variety

One week only!

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Back by popular demand: Bacurau

A crowd scene from the film Bacurau

Image courtesy of Kino Lorber

"It isn’t remotely surprising that a political film can be gut-splitting entertainment; if the legacy of the American Western proves anything, it’s this. But Bacurau doesn’t merely reflect that legacy. It outdoes it."—Vanity Fair

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Held over: Slay the Dragon

Scene from the documentary Slay the Dragon

Images courtesy of Magnolia Pictures

"A rather thrilling and hopeful watch, particularly in an election year while the world is roiling with uncertainty."—Vox

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Held over: Sorry We Missed You

A scene from the Ken Loach film Sorry We Missed You

Image courtesy of Zeitgeist Films

"Well-researched and highly detailed in how it lays bare the empty promises of the gig economy and the ruthless techno-feudalism of e-commerce, Sorry We Missed You is a movie that will infuriate you. But what makes it one of [Ken] Loach’s best isn’t just its rage (which is plentiful) but its compassion (which is overwhelming)."—Vulture

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