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Mark Dion returns to the Wex to discuss his decades-long practice in sculpture and installation and how it intersects with scientific and historical inquiry.
Dion first exhibited at the Wex soon after it opened, participating in the 1990 exhibition Biodiversity along with William Schefferine. He returned in 1997 with the solo exhibition Cabinet of Curiosities for the Wexner Center for the Arts. Throughout his career, Dion has investigated classification, constructions of knowledge, intersecting histories, and ideologies about the natural world. Drawing on a wide range of institutions, cultural practices, and research traditions, Dion creates sculptures and installations that examine how objects are collected, preserved, organized, and interpreted. Audiences will gain insight into his research-based process and the ideas that inform his work. Using both scholarly inquiry and mischievous humor, Dion invites viewers to rethink their assumptions about authority and knowledge. As Elisa Carollo wrote in an interview with Dion for Observer, when visitors encounter his installations, “What initially appears rigorously scientific—orderly, methodical, authoritative—gradually reveals its fiction the longer one remains inside. ‘I often think of these installations as crime scenes,’ Dion notes, ‘where the viewer becomes the detective.’”
Mark Dion, Cabinet of Curiosity for the Wexner Center of the Arts, 1997. Installation view at the Wexner Center for the Arts, Columbus, Ohio, 1997. Courtesy the artist and Tanya Bonakdar Gallery, New York.
Mark Dion. Photo: Jorge Colombo.
Mark Dion, installation view, OCEANOMANIA, the Oceanographic Museum of Monaco, 2011. Photo: NMNM, Oceanographic Museum, and Mauro Magliani & Barbara Piovan. Courtesy the artist and Tanya Bonakdar Gallery, New York.
Mark Dion, installation view, Misadventures of a 21st-Century Naturalist at ICA/Boston, 2017. Photo: Charles Mayer Photography. Courtesy of the artist and Tanya Bonakdar Gallery, New York.
Mark Dion’s work examines the ways in which dominant ideologies and public institutions shape our understanding of history, knowledge, and the natural world. The job of the artist, he says, is to go against the grain of dominant culture, to challenge perception and convention. Appropriating methods of collecting, ordering, and exhibiting objects common in archaeology, field ecology, and other disciplines, Dion creates works that question the distinctions between objective (rational) scientific methods and subjective (irrational) influences. The artist’s spectacular and often fantastical curiosity cabinets, modeled on Wunderkammern of the 16th and 17th centuries, exalt atypical orderings of objects and specimens. Dion also frequently collaborates with museums of natural history, aquariums, zoos, and other institutions mandated to produce public knowledge on the topic of nature. Dion has exhibited internationally in approximately 200 solo exhibitions, including at Perez Art Museum Miami and Museum of Modern Art, New York, along with over 400 group shows. His work is in the collections of the British Museum, London; Centre Georges Pompidou, Paris; the J. Paul Getty Museum, Los Angeles; and the Whitney Museum of American Art, New York.
This event is copresented by Ohio State’s Department of Art Visiting Artist Program and sponsored by the Office of Academic Affairs.
The Ohio State UniversityGreater Columbus Arts CouncilOrange Barrel MediaOhio Arts CouncilWexner Center Foundation BoardThe Columbus FoundationCampusParcWith special thanks to our members
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Mark Dion