
For Love Rollercoaster, visual artist Tomashi Jackson has created five new paintings centered around themes of voter disenfranchisement and suppression in Ohio’s Black communities.
The paintings examine the state’s troubling history with these issues and its particular challenges in the present political moment. Photographs, local and national campaign ephemera, details from conversations with Ohio citizens, and planes of bright color are the foundational materials Jackson uses in creating these compelling works.
ABOVE
Tomashi Jackson, Love Rollercoaster (2016 Butler County Voting Line) (1965 John Lewis Accepts Voting Rights Signing Pen from LBJ), 2020. Acrylic, Pentelic marble, Ohio Underground Railroad site soil, American electoral ephemera, and paper bags on canvas and fabric. 88 1/8 x 81 x 8 in. Image courtesy of the artist and Tilton Gallery, New York.
More about our fall exhibitions
Presented amid the most contested presidential election in American history and massive social upheaval surrounding the entwined public health issues of systemic racism and the COVID-19 pandemic, the Wexner Center’s fall exhibitions showcased work from a diverse group of artists examining the tenets of American democracy, representative structures, and modes of political discourse. Discover more about the other exhibitions on view and related programs below.
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Organized by the Wexner Center for the Arts, originally conceived by former Senior Curator of Exhibitions Michael Goodson, and curated by Curatorial Associate Kristin Helmick-Brunet, Director of Learning and Public Practice Dionne Custer Edwards, and Chief Operating Officer Megan Cavanaugh.
MADE POSSIBLE BY
Greater Columbus Arts Council
American Electric Power Foundation
The Columbus Foundation
Ohio Arts Council
Institute of Museum and Library Services
Huntington Bank
Nationwide Foundation
ADDITIONAL SUPPORT PROVIDED BY
Jeni’s Splendid Ice Creams
Kaufman Development
Cardinal Health Foundation
Tomashi Jackson: Love Rollercoaster