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Veronica Ryan: Unruly Objects

Ohio Premiere

A series of colorful mesh bags containing abstracted organic forms hang from the walls and ceiling. Additional sculptural forms sit on the floor.

Explore the first major survey exhibition of Turner Prize–winner Veronica Ryan, a showcase for her abstract sculpture and multifaceted, four-decade long practice.

Veronica Ryan: Unruly Objects, coorganized with the Pulitzer Arts Foundation, presents over 100 sculptures, textiles, and works on paper by the Montserrat-born British artist. 
 
Based in New York since the 1990s and traveling often to the UK, Ryan’s work is influenced by transatlantic exchanges. She creates a network of connections that bring together personal and global histories of travel and migration as well as narratives of healing, nurturing, and belonging. The exhibition also highlights her frequent return to past works and ideas in pursuit of new conversations. Through this continuous reshaping, she asks us to consider life itself as a process of constant growth, navigation, and change. 
 
The materials and techniques Ryan uses serve the themes and narratives that surface in her work. Her hand-embroidered pillowcases and cushions evoke dream states and interior worlds. So does her use of alluring textures and colors—some sourced from natural materials like coral, turmeric, and indigo. Visitors will encounter sculptures made from traditional art materials, including bronze and marble, but also found and everyday items, from seeds to bandages and hair ties. Ryan asks us to reconsider so-called waste, imbuing discarded material such as padded envelopes, fabric scraps, packaging, and plastic bottles with new life. Her reuse of such humble materials, remaking them into artwork, suggests environmental concerns around excess and consumption. It also demonstrates a recognition of discarded objects’ unrealized potential. 
 
Like seeds that travel via wind and water to take root far from their origins, Ryan’s exhibition takes visitors on a journey through her personal universe and histories through the Caribbean and across the Atlantic. 

"Her sculptures blend strange and common items to make sense of the world... Ryan’s universe of objects operates like a map that keeps adding dimensions."

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A red mesh sack suspended from a gallery ceiling holds abstracted organic forms. Similar bags and doilies spread across the floor behind it.

Veronica Ryan: Along a Spectrum, installation view at Spike Island, Bristol, 2021. Commissioned by Spike Island, Bristol, and supported by Freelands Foundation. Courtesy of Spike Island, Bristol, England; Paula Cooper Gallery, New York; and Alison Jacques, London. © Veronica Ryan OBE RA. Photo: Max McClure.

More than a dozen sculpted bronze magnolia pods hang from colorful fishing line secured to a wall with a screw.

Veronica Ryan, Cluster, 2021. Eighteen bronze magnolia pods and fishing line, 43 5/16 x 6 11/16 x 3 1/8 in. Presented by the Contemporary Art Society through its Special Partnership with the Henry Moore Foundation, supported by Cathy Wills, 2022/23. Courtesy of The Hepworth Wakefield, Wakefield, England, and Paula Cooper Gallery, New York. © Veronica Ryan OBE RA.

A series of photographs of a woman seated and standing inside a house are collaged together. The figure is partially obscured by black amoeba-shapes.  

Veronica Ryan, Disavowal (She Follows You Around), 2002. Photographic print and acrylic on cardstock, 17 7/8 x 19 7/8 in. Courtesy of Paula Cooper Gallery, New York. © Veronica Ryan OBE RA. Photo: Steven Probert.

Veronica Ryan wears a leopard print shirt dress over jeans and stands in a gallery displaying her work on the walls and floor.

Portrait of Veronica Ryan. Courtesy of Alison Jacques, London. © Veronica Ryan. Photo: Lisa Whiting Photography.

More about the artist and curator

Veronica Ryan

Veronica Ryan (b. 1956, Plymouth, Montserrat) lives and works in both New York City and Bristol, UK. She has been designated an Officer of the Most Excellent Order of the British Empire (OBE) and RA (Royal Academy of Arts). In 2022, she was awarded Tate museum's Turner Prize, one of the most prestigious visual arts awards in the UK, and included in the Whitney Biennial at the Whitney Museum of American Art in New York. Learn more about the artist.

Tamara H. Schenkenberg

Tamara H. Schenkenberg is a curator at the Pulitzer Arts Foundation in St. Louis, where she has organized major exhibitions on the work of Ruth Asawa, Hannah Wilke, Medardo Rosso, and Zarina, in addition to overseeing site-specific commissions by Faye HeavyShield and Delcy Morelos. Her primary focus is on modern and contemporary art, with research interests in identity and displacement, as well feminist practices. Schenkenberg is a Fulbright scholar and earned her PhD in art history from the University of Wisconsin-Madison.

Program Support

This exhibition is coorganized by the Pulitzer Arts Foundation and the Wexner Center for the Arts. The exhibition is curated by Tamara H. Schenkenberg, curator, with Molly Moog, curatorial assistant, Pulitzer Arts Foundation. The presentation at the Wexner Center for the Arts is organized by Schenkenberg and Julieta González, head of Visual Arts.

THIS PRESENTATION IS MADE POSSIBLE BY

ENGIE

2025–26 EXHIBITIONS SEASON MADE POSSIBLE BY

Bill and Sheila Lambert

Mike and Paige Crane

FREE GALLERIES MADE POSSIBLE BY

Adam Flatto

Axium Packaging

WEXNER CENTER PROGRAMS MADE POSSIBLE BY

Greater Columbus Arts Council

The Wexner Family

Ohio Arts Council, with support from the National Endowment for the Arts

CampusParc

The Columbus Foundation

Every Page Foundation

Mellon Foundation

Axium Packaging

Nationwide Foundation

Michael and Anita Goldberg

Vorys Sater Seymour and Pease LLP

ADDITIONAL SUPPORT PROVIDED BY

Joyce Shenk

Rebecca Perry and Ben Towle

Lachelle Thigpen

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Veronica Ryan: Unruly Objects