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Mimi Ọnụọha

Us, Aggregated 3.0 (2019)

A search results page filled with images of monuments. Overtop it is an image file showing a person in front of a statue.

Consider how digital tools shape our understanding of identity, power, and community through one artist’s experience with image search.

Nigerian American artist Mimi Ọnụọha explores the power of classification and how technology shapes our sense of identity in her video Us, Aggregated 3.0.

The video combines personal family photos from the artist’s collection with images found through Google’s reverse-image search, which uses algorithms to find visually similar pictures when an image is copied into the search bar. Ọnụọha’s personal photos, previously unseen online, are shown alongside images from Google’s vast database, creating a seemingly unified community of people who are connected only through technology. The viewers experience an endless scroll through these assorted images, which highlights how technology companies systematically collect and organize massive amounts of data.

By blending human- and machine-driven classification, Ọnụọha challenges the idea of a singular, unified “us” and raises important questions about who holds the power to decide how we are categorized. (15:41 mins., video)

In addition to this screening in The Box, visitors can join a conversation with Ọnụọha and Simone Browne, Associate Professor in the Department of African and African Diaspora Studies at the University of Texas at Austin, on October 9, 2025. This dialogue is organized by the History of Art and Art & Technology departments and is part of the Arts, Technology and Social Change series, a micro-residency program sponsored by Global Arts + Humanities Discovery Theme.

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A search results page filled with images of monuments. Overtop of it is an image file showing a person in front of a statue.

Mimi Ọnụọha, Us, Aggregated 3.0, 2019 (still); courtesy of the artist.

Two image search results pages; one has images of people and donkeys, the other women posing for photos. Overtop each is an image file.

Mimi Ọnụọha, Us, Aggregated 3.0, 2019 (still); courtesy of the artist.

A search results page filled with images of people around tables. Overtop it is an image file showing three people around a table with flowers on it.

Mimi Ọnụọha, Us, Aggregated 3.0, 2019 (still); courtesy of Galerie Stadt Sindelfingen, Germany.

A darkened gallery with a projection of the words Us, Aggregated and two rows of image search results above it on one wall.

Mimi Ọnụọha, Us, Aggregated 3.0, 2019 (still); courtesy of Galerie Stadt Sindelfingen, Germany.

A projection of a search results page filled with images of women posing for photos. The gallery’s title wall reads HOW WE MAKE MEANING.

Mimi Ọnụọha, Us, Aggregated 3.0, 2019 (still); courtesy of Quad Gallery, Derby, UK.

More about the artist

Mimi Ọnụọha

Mimi Ọnụọha (b. 1989, Parma, Italy) is a Nigerian American artist whose work has been featured at museums and galleries around the world, including the Whitney Museum of American Art, New York; the Australian Centre for Contemporary Art, Melbourne; Mao Jihong Arts Foundation, Shanghai; La Gaîté Lyrique, Paris; the Gropius Bau, Berlin; and the Atlanta Contemporary. Ọnụọha is a Creative Capital and Fulbright-National Geographic grantee, and her work is in the collection of the Victoria and Albert Museum, London. She is also the cofounder of A People's Guide To Tech, an artist-led organization that makes educational guides and workshops about emerging technology. She lives and works in New York.

Learn more about the artist.

Program Support

Us, Aggregated 3.0 appears as part of a larger presentation of Mimi Ọnụọha’s work across campus and Columbus sponsored by a visiting artist grant from The Office of the Vice Provost for the Arts, The Ohio State University and supported by Orange Barrel Media. 

Support for this presentation provided by

Ohio State’s Global Arts + Humanities Discovery Theme

Film/Video programs made possible by

Rohauer Collection Foundation

2025–26 EXHIBITIONS SEASON MADE POSSIBLE BY

Bill and Sheila Lambert

Mike and Paige Crane

Free galleries made possible by

Adam Flatto

Axium Packaging

Wexner Center programs made possible by

Greater Columbus Arts Council

The Wexner Family

Ohio Arts Council, with support from the National Endowment for the Arts

CampusParc

The Columbus Foundation

Every Page Foundation

Mellon Foundation

Axium Packaging

Nationwide Foundation

Michael and Anita Goldberg

Vorys Sater Seymour and Pease LLP

Additional support provided by

Joyce Shenk

Rebecca Perry and Ben Towle

Lachelle Thigpen

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