Past Film/Video | Classics

I vitelloni | The White Sheik

(Federico Fellini, 1953)
(Lo sceicco bianco, Federico Fellini, 1952)

Double Feature | New Restorations

From left to right: Black-and-white still from I vitelloni, featuring Fausto (Franco Fabrizi), Alberto (Alberto Sordi), and Gisella (Vira Silenti). Fausto (left) is looking down at Alberto, his hand on Alberto’s shoulder as if to console him. Gisella is standing in the background watching them; Black-and-white still from The White Sheik featuring Wanda (Brunella Bovo) and Fernando (Alberto Sordin) embracing. Wanda (left) is wearing a dress and hat, and Fernando (right) is wearing a Sheik headdress.

This pairing of Fellini classics highlights the director’s gift for capturing messy truths about the human condition, from youthful slackers to newlyweds already growing apart.

A major influence on Martin Scorsese’s Mean Streets (1973), I vitelloni helped establish Fellini as a filmmaker of international stature. The director uses the term “vitelloni”—roughly meaning “layabouts”—to describe the film’s five hell-raising wastrels in Rimini (Fellini’s hometown) as they stumble through life, mooching off their parents and friends to get by. (103 mins., 4K DCP)

In The White Sheik, a young couple honeymooning in Rome is at odds over how to spend their time. The groom (Leopoldo Trieste) wants to visit family and dutifully attend church; the bride (Brunella Bovo) is obsessed with sneaking away to find her favorite soap opera romance star “The White Sheik” (played by the incomparable Alberto Sordi). Giulietta Masina’s brief turn as a prostitute would be revived years later in Nights of Cabiria. (83 mins., 4K DCP) 

See the complete Retrospective: Federico Fellini lineup.

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Black-and-white still from I vitelloni, featuring Fausto (Franco Fabrizi), Alberto (Alberto Sordi), and Gisella (Vira Silenti). Fausto (left) is looking down at Alberto, his hand on Alberto’s shoulder as if to console him. Gisella is standing in the background watching them.

I vitelloni, image courtesy of Janus Films.

Black-and-white still from I vitelloni featuring Alberto (Alberto Sordi) looking concerned and grasping a woman’s elbow, her hands balled in fists.

I vitelloni, image courtesy of Janus Films.

Black-and-white still from The White Sheik featuring Wanda (Brunella Bovo) and Fernando (Alberto Sordin) embracing. Wanda (left) is wearing a dress and hat, and Fernando (right) is wearing a Sheik headdress.

The White Sheik, image courtesy of Rialto Pictures.

Black-and-white still from The White Sheik featuring Fernando (Alberto Sordin) smiling, wearing a Sheik headdress and clothing, and holding a sword above his head.

The White Sheik, image courtesy of Rialto Pictures.

Retrospective: Federico Fellini is part of the Federico Fellini 100 tour, a series of centennial tributes to the director coordinated by Paola Ruggiero and Camilla Cormanni of Luce Cinecittà in Rome.

I vitelloni was digitally restored by Luce Cinecittà, Cineteca di Bologna, and Cineteca Nazionale.

The White Sheik was digitally restored by L’Immagine Ritrovata.

FILM/VIDEO PROGRAMS MADE POSSIBLE BY
Cardinal Health
Kaufman Development

ADDITIONAL SUPPORT PROVIDED BY
Rohauer Collection Foundation

WEXNER CENTER PROGRAMS MADE POSSIBLE BY
The Wexner Family
Greater Columbus Arts Council
The Columbus Foundation
National Endowment for the Arts
Ohio Arts Council
American Electric Power Foundation
L Brands Foundation
Adam Flatto
Mary and C. Robert Kidder
Bill and Sheila Lambert
Institute of Museum and Library Services
Nationwide Foundation
Vorys, Sater, Seymour, and Pease

ADDITIONAL SUPPORT PROVIDED BY
Michael and Paige Crane
Pete Scantland
Axium Packaging
CampusParc
CoverMyMeds
Jeni’s Splendid Ice Creams
President Kristina M. Johnson and Mrs. Veronica Meinhard
Nancy Kramer
Huntington
Lisa Barton
Johanna DeStefano
Russell and Joyce Gertmenian
Liza Kessler and Greg Henchel
Ron and Ann Pizzuti
Joyce and Chuck Shenk
Bruce and Joy Soll
Jones Day

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I vitelloni | The White Sheik