Past Film/Video | Contemporary Screen

shape_SHIFT: Black Queer Short Films

Artist Residency

A collage of images from each film in the shape shift screening

This program of experimental shorts explores how concepts of “shape” and “shift” apply to Black queer identity and relationships.

By expanding visual articulations of fluidity through the medium of film as seen through time, story, and representation, shape_SHIFT is an open sentence on being Black and queer. Taking a wide-angle view on these themes, the program includes works by jaamil olawale kosoko, Keisha Rae Witherspoon, bree gant, GLOR1A & biarritzzz, and others. (program approx. 82 mins., DCP)

Program lineup

Diaspora Mixtapes
(Ima Iduozee, 2019, 13 mins.)

Diaspora Mixtapes is a series of digital portraits that celebrate the diversity of black cultural identity in the contemporary African Diaspora. Activists, artists, poets, and musicians share and explore ideas around black life, futurity, fugitivity, (de)colonialism, and kinship. The extensive archive consists of autobiographies, personal narratives, and video documentations that recognize and acknowledge an array of experiences that stretch out across the diaspora, with a special focus on the Nordic countries in Volume 1.”—Ima Iduozee

otherlogue iv
(bree gant, 2019, 5 mins.)

“otherlogue iv is a screen dance meditation presenting choreographic portraits that explore family history and hoodrat things with friends. The film is directed, shot, and edited by bree gant and was created in collaboration with artists Celia Benvenutti, Hanniyah Cross, and Raven Whitney Joel, with appearances by Dr. Leon Gant and Nahimana Aponi. The soundtrack features music by Dave Gulley.”—bree gant

Copper
(marlo henry magdalene, 2017, 8:08 mins.)

“In Copper, I explore the transgressive space of Black memory, social death, intercellular trauma, and the underbelly of the stories we tell ourselves about ourselves. I dance with and around my muses as I allow my body to follow them before my eyes do. I allow the muscles of my toes to stiffen, extending this tightness to my core, as I engage in a choreographed dance of an exchange of power. Through this movement I develop language for a third space where Blackness operates outside of surveillance; in this third space I reimagine the ontological existence of the Black American experience.”—marlo henry magdalene (formerly known as summer fucking mason)

Heaven Reaches Down to Earth
(Tebogo Malebogo, 2020, 10 mins.)

“After Tau comes to a realization about their sexuality, it sets in motion a cascade of thoughts and emotions in Tumelo—nothing will ever be the same between them.”—Tebogo Malebogo

The Death of Tomorrow
(GLOR1A & biarritzzz, 2021, 3:03 mins.)

The Death of Tomorrow is an audiovisual experiment of sonic collision and digital excitement, as biarritzzz and GLOR1A enter the deep web of intertwined missed memories and infinitudes. We travel through time in a narrated tale of predictable dystopia. Things we already feel, feelings we already miss. It is an invocation of strength and a lullaby for bodies asleep as they’re living only in a digital world.”—biarritzzz

The work was supported by the Novas Frequências Festival, Amplify D.A.I. (Digital Arts Initiative), and the British Council. Music production by GAIKA.

Across, Beyond, and Over
(Brit Fryer and Noah Schamus, 2019, 11:34 mins.)

“A hybrid documentary about two trans men who used to date in middle school reconnecting 10 years later to develop a narrative film about their past. Through this process, they are forced to reconcile the differences in how they want to portray themselves, their relationship, and their own trans identities.”—Brit Fryer and Noah Schamus

T
(Keisha Rae Witherspoon, 2019, 14 mins.)

“A film crew follows three grieving participants of Miami’s annual T Ball, where folks assemble to model R.I.P. T-shirts and innovative costumes designed in honor of their dead.”—Keisha Rae Witherspoon

Chameleon (A Visual Album)
(jaamil olawale kosoko and Ima Iduozee, 2022, 21:15 mins.)

Chameleon (A Visual Album) is a performance film adaption from a live work that never premiered. It explores the fugitive realities and shapeshifting demands of surviving at the intersection of Blackness, gender fluidity, and queerness in contemporary America.”—jaamil olawale kosoko

The Artist Residency Award–supported project also screens in The Box June 10–August 31.

See the complete Say Gay lineup.

Say Gay: LGBTQ+ Pride on Film is presented in conjunction with Portal For(e) the Ephemeral Passage, an interdisciplinary exhibition curated by jaamil olawale kosoko that amplifies Black feminist voices in contemporary art and performance. Click here to view the complete Portal For(e) lineup.

Two people look at an iphone. Both are seated and one wears a black baseball cap and the other a red cap

Across, Beyond, and Over, image courtesy of the filmmakers.

Two people in profile are seated on benches directly across from one another.

Across, Beyond, and Over, image courtesy of the filmmakers.

An image of a computer screen

The Death of Tomorrow, image courtesy of the filmmakers.

An image of a black figure in profile surrounded by abstract white patterns

The Death of Tomorrow, image courtesy of the filmmakers.

A man in a blue cap and blue shirt stands against a wall. He looks to his left and holds his right arm at the wrist.

Diaspora Mixtapes, image courtesy of the artist.

A woman in an orange shirt standing against a gray backdrop

Diaspora Mixtapes, image courtesy of the artist.

A person in a tan coat jumps up in a field of fallen leaves. Around them are colorful trees with leaves of varying colors, fall-like

otherlogue iv, image courtesy of the filmmaker.

A person in a cap leans down to wipe down a tombstone

otherlogue iv, image courtesy of the filmmaker.

An image of a white, beaded and threaded piece of cloth

T,  image courtesy of the filmmaker.

A figure decked out in rows of bright blue lights

T, image courtesy of the filmmaker.

Five figures, each of whom are draped in brown fabric, sit on a brown couch. The person in the center is draped in transparent brown fabric, revealing their face and dark brown skin. Their hands, which are uncovered, rest on their legs, and there are many shiny bracelets on both wrists. Above the figures, on the wall behind them, are two portraits of Black people, both of whom have flowers and leaves surrounding their heads like hair.

Chameleon (A Visual Album), image courtesy of the artists.

Curated by Film/Video Curatorial Assistant Layla Muchnik Benali and Wex Path Fellow Reg Zehner.

FILM/VIDEO PROGRAMS MADE POSSIBLE BY
Cardinal Health
Kaufman Development

 
ADDITIONAL SUPPORT PROVIDED BY
Rohauer Collection Foundation
 
WEXNER CENTER PROGRAMS MADE POSSIBLE BY
The Wexner Family
Greater Columbus Arts Council
The Columbus Foundation
National Endowment for the Arts
Ohio Arts Council
American Electric Power Foundation
L Brands Foundation
Adam Flatto
Mary and C. Robert Kidder
Bill and Sheila Lambert
Institute of Museum and Library Services
Nationwide Foundation
Vorys, Sater, Seymour, and Pease

ADDITIONAL SUPPORT PROVIDED BY
Michael and Paige Crane
Pete Scantland
Axium Packaging
CampusParc
CoverMyMeds
Jeni’s Splendid Ice Creams
President Kristina M. Johnson and Mrs. Veronica Meinhard
Nancy Kramer
Huntington
Lisa Barton
Johanna DeStefano
Russell and Joyce Gertmenian
Liza Kessler and Greg Henchel
Ron and Ann Pizzuti
Joyce and Chuck Shenk
Bruce and Joy Soll
Jones Day

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shape_SHIFT: Black Queer Short Films