Now Exhibitions

Nancy Holt: Pipeline

A steel pipeline travels along a wall, curves through U- and L-bends, juts out from the wall, and then terminates on a platform that has a pool of oil on it.

Nancy Holt’s site-responsive sculpture Pipeline, installed inside and outside at the Wex, addresses fossil-fuel extraction, bringing critical attention to systems providing the power fueling our world.

Nancy Holt: Power Systems features the most extensive inquiry yet into Nancy Holt’s studies of systems. The exhibition launched in summer 2024 with a presentation of Pipeline, which calls attention to the physical and economic systems powering buildings and to the impact of fossil-fuel extraction.
 
Holt visited Alaska in March of 1986 at the invitation of the Visual Arts Center of Alaska, with the hope she might create a work of art in celebration of the region’s beauty. Holt was instead struck by the infiltration of the Trans-Alaska Pipeline System through the landscape. In response she made Pipeline, a sculpture made of steel pipes that twist in and out of the gallery, winding down to the floor where one section of pipe leaks—an incessant drip of oil pooling thickly on a white base. Pipeline points to the unchecked audacity and devastating consequences of the energy industry.
 
In the 1980s Holt’s exploration of systems focused on the fabric of the built environment with functional sculptural installations she termed System Works. Using standard industrial materials designed for heating, ventilation, lighting, drainage—as well as the raw materials of fossil fuels and waste—the System Works are connected to internal architectural organs, calling attention to our reliance on these modern systems and their complex relationship to the natural world.
 
In early 2025, the Wex’s presentation of Nancy Holt: Power Systems expands into the galleries with additional sculptures, installations, and works on paper focused on literal and metaphorical flows of power.

"The sculptures are exposed fragments of vast hidden systems, they are part of open-ended systems, part of the world."

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A cropped image of a steel pipeline that curves through an L-bend and an U-bend against a wall and then exits the frame.

Nancy Holt, Pipeline (detail), 1986. Steel and oil. Installation view at the Wexner Center for the Arts, 2024. Copyright Holt/Smithson Foundation. Licensed by Artists Rights Society, New York.

About the artist and curator

Program Support

Nancy Holt: Power Systems is curated by Lisa Le Feuvre, executive director of Holt/Smithson Foundation and developed in partnership with Holt/Smithson Foundation.

THIS PRESENTATION IS MADE POSSIBLE BY
Ohio State Energy Partners

EXHIBITIONS 2024–25 SEASON MADE POSSIBLE BY  
Bill and Sheila Lambert
Crane Family Foundation

FREE GALLERIES MADE POSSIBLE BY  
Adam Flatto
PNC Foundation

WEXNER CENTER PROGRAMS MADE POSSIBLE BY  
Greater Columbus Arts Council
The Wexner Family
Institute of Museum and Library Services
Mellon Foundation
Every Page Foundation
Ohio Arts Council, with support from the National Endowment for the Arts
CampusParc
Nationwide Foundation
Lois S. and H. Roy Chope Fund of The Columbus Foundation
The Columbus Foundation
Axium Packaging

ADDITIONAL SUPPORT PROVIDED BY
Ohio History Fund/Ohio History Connection
David Crane and Elizabeth Dang
Louise Lambert Braver

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Now Exhibitions

Nancy Holt: Pipeline