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Past Performing Arts | Music
$12 members $15 general public $10 students
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At the request of the artist, all audience members must provide proof of vaccination on entry, either in the form of their vaccination card or an image of their card, along with their valid state-issued or university ID.
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We strive to host inclusive, accessible events that enable all individuals, including individuals with disabilities, to engage fully. If you have questions about accessibility or require an accommodation such as ASL interpretation to participate in this event, please contact Accessibility Manager Helyn Marshall at accessibility@wexarts.org or via telephone at (614) 688-3890. Requests made by two weeks in advance will generally allow us to provide seamless access, but the Wexner Center for the Arts will make every effort to meet requests made after this date.
Be transported by a transcendent evening of ambient soundscapes from two of experimental music’s most compelling voices.
Mary Lattimore experiments with running her Lyon & Healy Concert Grand pedal harp through electronic effects, concocting half-structured improvisations that can include both ambient glitter and unsettling noise. One of the nation’s most compelling soloists, she has “learned to paint pictures of landscapes and express mixed emotions without a word” (NPR).
Due to unforeseen circumstances, Ana Roxanne will not be able to perform this Sunday. Walt McClements will now join the bill. If you’d like a refund, please contact us at (614) 292-3535 or stop by the Visitor Experience Desk.
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Mary Lattimore | Photo by Jackie Lee Young
Mary Lattimore is a Los Angeles-based harpist. Her first solo record, The Withdrawing Room, was released on Desire Path Recordings in 2014. The solo recordings that followed, At the Dam (2016), Collected Pieces (2017), and Hundreds Of Days (2018) were released by Ghostly International. Lattimore has contributed and written harp parts for such artists as Kurt Vile, Thurston Moore, Sharon Van Etten, Meg Baird, Steve Gunn, the Clientele, Hop Along, Jarvis Cocker, Karen Elson, Ed Askew and Quilt.
Ana Roxanne is a New York-based musician working at the interzone of electric meditation, dream pop, and ambient songcraft. Her self-titled EP was later reissued by Leaving Records before signing with Kranky for her official full-length debut, 2020’s Because Of A Flower. Her inspirations span the secular (R&B divas of the 1980s and ‘90s) and the spiritual (Catholic choral traditions in which she was raised), synthesized into a uniquely intuitive sonic language, equal parts atmospheric and ancient, healing, and hermetic.
WEXNER CENTER PROGRAMS MADE POSSIBLE BY The Wexner Family Greater Columbus Arts Council Mary and C. Robert Kidder L Brands Foundation American Electric Power Foundation The Columbus Foundation Ohio Arts Council Bill and Sheila Lambert Adam Flatto Huntington Institute of Museum and Library Services Nationwide Foundation Vorys, Sater, Seymour, and Pease Arlene and Michael Weiss
ADDITIONAL SUPPORT PROVIDED BY Carol and David Aronowitz Michael and Paige Crane Axium Packaging Fenwick & West LLP Jeni’s Splendid Ice Creams KDC/ONE M/I Homes Ohio State Energy Partners Regina Miracle International Ltd. Washington Prime Group Alene Candles Lisa Barton Fuel Transport Russell and Joyce Gertmenian Liza Kessler and Greg Henchel Nancy Kramer Matrix Psychological Services Paramount Group, Inc. Bruce and Joy Soll Clark and Sandra Swanson Business Furniture Installations CASTO E.C. Provini Co, Inc. Garlock Printing & Converting M-Engineering New England Development Our Country Home Performance Team Premier Candle Corporation ProAmpac Steiner + Associates Textile Printing Andrew and Amanda Wise
Past Performing Arts
Mary Lattimore