Past Performing Arts | Dance

Radouan Mriziga

Akal

Columbus Premiere

Performer Dorothée Munyaneza, who is wearing large golden horns in her dark hair and a blue transparent dress, kneels beside a round object on the floor in a space surrounded by chairs. The space is tinted with yellow-green light.

Can choreography reconcile us with repressed histories? Discover how at the Columbus premiere of Akal, a solo work choreographed by Radouan Mriziga and performed by Dorothée Munyaneza.

Akal is the final piece of Mriziga’s trilogy inspired by the Amazigh people of North Africa, whose long-ignored oral culture, he believes, contains the seed of a new future. Each piece of his trilogy focuses on mythological female figures who embody and protect Amazigh culture. The muse in Akal (meaning “earth” in the Amazigh language) is the ancient Egyptian goddess Neith, who guides the souls of the dead through the underworld.

Mriziga celebrates Neith’s strength in Akal through rituals, traditional dances, architecture, storytelling, song, poetry, and rap performed by the Rwandan choreographer, dancer, and singer Dorothée Munyaneza. In this vital new work, the pair create an intimate choreographic space to dream of a more inclusive future through a new look at the past. Mriziga made his Columbus debut at the Wex in 2019 with the finely crafted architectural work 7.

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Performer Dorothée Munyaneza, who is wearing large golden horns in her dark hair and a blue transparent dress, kneels, with her head pointing towards the ground and her profile in view, beside a round object on the floor in a space surrounded by chairs. The space is tinted with yellow-green light.

Radouan Mriziga, Akal, photo: Senda Jebali. 

Performer Dorothée Munyaneza, who is wearing a blue transparent dress, stands with hands above her head facing the center of a stage, her back turned to the camera, with large golden horns behind her. The space is tinted with green-blue light.

Radouan Mriziga, Akal, photo: Senda Jebali. 

erformer Dorothée Munyaneza, who is wearing large golden horns in her dark hair and a blue transparent dress, kneels, with her head upright and back towards the camera, next to a round object on the floor in a space surrounded by chairs. The space is tinted with yellow-green light.

Radouan Mriziga, Akal, photo: Senda Jebali. 

About the choreographer

Radouan Mriziga chevron-down chevron-up

Radouan Mriziga is a Brussels-based choreographer and dancer from Marrakech. After studying dance in Morocco, Tunisia, and France, Mriziga graduated from P.A.R.T.S. (Performing Arts Research and Training Studios) in Brussels. He soon began to develop and tour his own creations worldwide, exploring the relationship between movement, construction, and composition. Focusing on human beings as the makers of their surroundings, Mriziga’s choreographies forge links between the body in motion, the expression of form in everyday materials, and the architecture of our built environment. He was an artist-in-residence at the Kaaitheater in Brussels from 2017 to 2021, and he is currently in residence at deSingel in Antwerp until 2024.

WEXNER CENTER PROGRAMS MADE POSSIBLE BY
The Wexner Family
Greater Columbus Arts Council
The Columbus Foundation
Ohio Arts Council
American Electric Power Foundation
L Brands Foundation
Adam Flatto
Mary and C. Robert Kidder
Bill and Sheila Lambert
Institute of Museum and Library Services
Nationwide Foundation
Vorys, Sater, Seymour, and Pease

ADDITIONAL SUPPORT PROVIDED BY
Michael and Paige Crane
Pete Scantland
Axium Packaging
CampusParc
Jeni’s Splendid Ice Creams
President Kristina M. Johnson and Mrs. Veronica Meinhard
Nancy Kramer
Huntington
Lisa Barton
Johanna DeStefano
Russell and Joyce Gertmenian
Liza Kessler and Greg Henchel
Ron and Ann Pizzuti
Joyce and Chuck Shenk
Bruce and Joy Soll
Jones Day

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Past Performing Arts

Radouan Mriziga