Past Exhibitions

nora chipaumire

afternow

US Premiere

Gallery space lit with purple light. Multisized wooden speakers are stacked on top of each other in the back right corner. Behind them is a projection of nora chipaumire with a black scull covering her face and pattered headscarf. There are wooden chairs scattered throughout the wooden gallery floors to the left of the speaker system. Above them is a larger projection featuring a black-and-white photo of a group of African people; nora’s face photoshopped in color over someone else’s.

Drawing from nora chipaumire’s decades of experience as a choreographer, as well as her witnessing the independence of her homeland, Rhodesia (now Zimbabwe), afternow seeks to develop a counternarrative to the body as shaped by colonialism.

The protagonist of afternow, chipaumire’s first multimedia installation, is Nehanda, the revered female ancestral spirit (mhondoro) of the Shona people native of Zimbabwe and central Mozambique. In the late 19th century, Nehanda’s medium was Charwe Nyakasikana, a revolutionary leader who orchestrated the 1889 revolts against the British colonization of Zimbabwe. Upon capture, she was tried for murder, convicted, and executed.

Projected on the gallery walls are Arias, three video portraits of chipaumire embodying and speaking as this spirit. The installation’s sculptural centerpiece is soundshitsystem, familiar to Wex audiences from the artist’s performances here in 2019. The monumental speaker system plays chipaumire's new audio opera, NEHANDA, a multichapter work that offers a legal and philosophical defense for the first heroes of Zimbabwe’s liberation struggle. The libretto is based on the court case The Queen v. Nehanda (1898), between the sovereigns Nehanda mhondoro (“lion spirit”) and Queen Victoria, whose long reign saw the rise and expansion of the British empire across the world. An immersive work of impressive scope, afternow evokes Indigenous African communities’ struggle for liberation in order to challenge such colonial histories and empower new narratives.

Arias (2021) is approximately 5 minutes in length and runs continually throughout the day.

NEHANDA (2021) is composed of 8 audio episodes; each episode ranges from 8 to 50 minutes in length; the total running time is 3 hours 52 minutes.

Beginning at 11 AM, the audio from Arias plays through soundshitsystem, followed by NEHANDA starting at 11:30 AM.

The full audio program loops approximately every 4 hours 30 minutes.

This presentation of afternow is part of Portal For(e) the Ephemeral Passage, an interdisciplinary exhibition curated by jaamil olawale kosoko that amplifies Black feminist voices in contemporary art and performance. Click here to view the complete lineup.

Join us for the Portal For(e) Preview Party on June 9, featuring nora chipaumire’s WiFM ZiFM dub night—with local DJ ASL Princess playing dub reggae–inspired electronic music on soundshitsystem, small bites from Together & Co., and a signature appetizer by Columbus’s own Chef Nikki.

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Gallery space lit with purple light. Multisized wooden speakers are stacked on top of each other in the back right corner. Behind them is a projection of nora chipaumire with a black scull covering her face and pattered headscarf. There are wooden chairs scattered throughout the wooden gallery floors to the left of the speaker system. Above them is a larger projection featuring a black-and-white photo of a group of African people; nora’s face photoshopped in color over someone else’s.

nora chipaumire, afternow, 2021, in Portal For(e) the Ephemeral Passage, installation view at the Wexner Center for the Arts, June 10–August 14, 2022. Photo: Stephen Takacs.

Installation view of nora chipaumire's afternow, featuring the monumental speaker system soundshitsystem, which has multisized wooden speakers stacked on top of each other in the corner of a gallery space that has chipped, white-painted brick walls and tall, open windows on the left side of the room.

nora chipaumire, afternow, installation view at Callie’s, Berlin, Germany, 2021. Photo: Mirka Pflüger © nora chipaumire.

Headshot of artist nora chipaumire against a white background. She has dark brown skin and is wearing a multicolored, patterned headscarf and a dark, button-up shirt. She gazes directly into the camera.

nora chipaumire, photo: Mieke Ulfig © nora chipaumire.

Artist nora chipaumire sits atop soundshitsystem, a tower of box-shaped speakers mostly made of raw plywood and particle board, which is part of her installation afternow. She wears a black-and-white patterned top, matching pants, white sneakers, and a black-and-white head covering. The tower of speakers sits on a wooden platform against a wall of white distressed bricks.

nora chipaumire with the installation of afternow at Callie’s, Berlin, Germany, 2021. Photo: Mirka Pflüger © nora chipaumire.

More about the artist

nora chipaumire chevron-down chevron-up

nora chipaumire (b. Mutare, Zimbabwe) is a contemporary artist, choreographer, and performer based in Berlin and Harare, Zimbabwe, who challenges—and embraces—stereotypes of Africa, Black performance and aesthetics, and contemporary dance. She is a four-time Bessie Award winner. Learn more on the artist’s website and follow the artist on Instagram.

Portal For(e) the Ephemeral Passage is organized by the Wexner Center for the Arts and curated by jaamil olawale kosoko in collaboration with all of its programming departments.

soundshitsystem was conceived by chipaumire, Ari Marcopoulos, and Kara Walker and fabricated by Matt Jackson Studio, NYC. Sound design and audio treatment by Franz Schütte, with Nadel Eins Studio Berlin.

PORTAL FOR(E) THE EPHEMERAL PASSAGE MADE POSSIBLE BY
National Endowment for the Arts
New England Foundation for the Arts

EXHIBITIONS MADE POSSIBLE BY
Bill and Sheila Lambert
The Andy Warhol Foundation for the Visual Arts
Carol and David Aronowitz
Crane Family Foundation
Mike and Paige Crane

FREE GALLERIES MADE POSSIBLE BY
American Electric Power Foundation
Adam Flatto
Mary and C. Robert Kidder
Bill and Sheila Lambert

ADDITIONAL SUPPORT FOR FREE GALLERIES PROVIDED BY
CoverMyMeds
PNC Foundation

WEXNER CENTER PROGRAMS MADE POSSIBLE BY
The Wexner Family
Greater Columbus Arts Council
The Columbus Foundation
National Endowment for the Arts
Ohio Arts Council
American Electric Power Foundation
L Brands Foundation
Adam Flatto
Mary and C. Robert Kidder
Bill and Sheila Lambert
Institute of Museum and Library Services
Nationwide Foundation
Vorys, Sater, Seymour, and Pease

ADDITIONAL SUPPORT PROVIDED BY
Mike and Paige Crane
Pete Scantland
Axium Packaging
CampusParc
CoverMyMeds
Jeni’s Splendid Ice Creams
President Kristina M. Johnson and Mrs. Veronica Meinhard
Nancy Kramer
Huntington
Lisa Barton
Johanna DeStefano
Russell and Joyce Gertmenian
Liza Kessler and Greg Henchel
Ron and Ann Pizzuti
Joyce and Chuck Shenk
Bruce and Joy Soll
Jones Day

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Past Exhibitions

nora chipaumire